Singapore Chinese Classical Poetry Research

Singapore Chinese literature is the important content of the world Chinese literature research. But academic community always pays attention to the influence of Chinese literature to the Singapore literary and Contemporary Singapore Chinese literature development for such a long time. Classical-form poetry also Occupy the same position's of Chinese literature not received due attention. With in-depth attention and macro guidance, this research of literary history in Singapore pay attention to different types of old style poetry author's creation for microscopic study, using influence research paradigm of comparative literature, through carefully reading of the text and the social science research ideas, summarized and compared for different types of cases. Returning to Singapore Chinese poem history culture context, and pay attention to the different period of the old style poetry survival condition and the spiritual demand.The introduction part points out Singapore Chinese classical-form poetry research have representative and maneuverability meaning in the world Chinese literature research field. Overseas Chinese literature not belongs to Chinese contemporary literature, so the research should start form" overseas Chinese literature center". The Singapore Chinese literature research demonstrated the problem as fellow, on the one hand, is research style not balanced, especially Chinese classical-form poetry is not in the history. On the other hand is the question that study of the theoretical paradigm appeared single. The significance of this study is review and classification historical of Singapore Chinese poetry. Second, observe Classical-form poetry as important part of Chinese literature once again, and to break the long-standing situation of customary attention for novels, prose and poetry, pointed out the diversity of Chinese literature study. Third, review the reasons of classical-form poetry edge condition and spirit of literature. Research the location and special significance of classical-form poetry in Singapore literary map, and thinking possibility of poetry existence in modern culture.The first chapter reviewed the era background of Singapore classical-form poetry author, and divided these authors into "traveler","refugees" and Contemporary Singaporean poet. Secondly, summarize the dissemination way of Singapore classical-form poetry, such as newspapers and its supplement, anthology, community communication and network communication.The second chapter analysis classical-form poetry of Singapore "traveler", these writers who was born in China, with Chinese citizenship background instead of Singapore nationality attribution, and for a variety of reasons have short-term stationed or pass by Singapore. Such as Zuo Binglong and Huang Zunxian official in Singapore serving; Pan Feisheng, Xu Nanying, Qiu Fengjia pass by Nanyang as literati; Wang Zhi and Bin Chun have overseas mission in the late Qing Dynasty, Kang Youwei and Yu Dafu for political exile. This chapter through interpretation works of these four creators, to sum up Singapore image of these poets. Finally get summary and conclusion as follow:First, in the angle of literature affiliation, the poet's poetry of Singapore" traveler" should belong to the Chinese literature component. Second, from the text created point, the poet's poem works of Singapore "traveler" have same trend with Chinese social development synchronization. Third, for the overall style of text creation, the poet's poem works of Singapore "traveler" began to show some Southeast Asia style. Four, for the creation of form, the "traveler" always characteristic is a long topic in previous poetry subject named.The third chapter analysis as Singapore "refugees" old style poetry, these writers was born in China but living overseas for many years after adult, under the influence of Chinese traditional culture in growth, adult in Singapore modern society. They are playing intermediary role between China and Singapore literature, exhibit refugees literary characteristics. The most important representative is " Nanyang talent" Qiu Shuyuan and" national poet" Pan Shou. These "refugees" poets not only absorbed the national culture characteristic, but also retain the Chinese culture. Form different characteristics with Chinese culture. They response of the Chinese revolutionary movement in political identification, and actively participate in Nanyang local cultural activities. According analysis to Qiu Shuyuan and Pan Shou, we can draws the following conclusions:these poet's creation have notable meaning of Chinese culture communication overseas, its creative theme always In response to Chinese political, which is the way that early Chinese express their emotion, These refugees show their mind for the Nanyang social as the master of Nan Yang, and their classical-form poetry reflect the care for Singapore and China for the same time.The fourth chapter analysis the creation of contemporary poetry author's in Singapore, the edge locating in edge of contemporary classical-form poetry in heterogeneous culture appear some differences with Chinese native literature. Which play they group in the Chinese contemporary literature. The representation creation of group is Xin Sheng poetry Society and SuiBiNanYang Network. The poet's works show the purpose of writing poetry for writing poetry, which should belong to Singapore National literature. In the future, the trend of Singapore Classical-form poetry, still show edge characteristics, and this borderline will continue in a long time.The conclusion part summarizes the whole article. First of all, Singapore classical-form poetry demonstrate both against and variability to the Chinese classical poetry. Secondly, in the plurality of Singaporean society, classical-form poetry is facing contradiction and dilemma between survival environment and self development.Thirdly, analysis position and value the Singapore classical-form poetry in the literary history. Pointed out that the Singapore classical-form poetry is an essential part of the overseas Chinese literature. The classical-form poetry creative more behavior significance than that writing significance.