The Deviation Of Poetic Construction

The dissertation is on the linguistic morphology, the contradiction of its "semantic - image - language" and aesthetic construction of Chinese modern symbolism poetry from the pragmatics principles of Semiotics- aesthetics "nature - language - man" and in cultural, linguistic and poetic spaces of Chinese modern symbolism poetic language in order to break the static analysis of symbolism poetic language. The paper contains five chapters.The Introduction briefly discusses the constructive ways, structural formula, function and place in the contradiction of its "semantic - image - language" of symbolism poetic language, the study's status quo, off-course and angle of Chinese modern symbolism poetic language.The first chapter analyses the source and course, spread and embrace of symbolism poetic language, the character, merits and demerits, the influence of Chinese modern symbolism poetic language.The Second analyses the seeking of symbolism poetic language and pure poetry in transplant phase of Chinese modern symbolism poetic language: the personal form of poetic language and its being hazy, obscure and decadent for instance of Li Jinfa.The Third analyses the experiment and experience of the Chinese modern symbolism poetic language on the nationalization of symbolism poetic language: the prose form of poetic language and being ripe, simple and suitable to poetic emotion for instance of Dai Wangshu.The Fourth analyses the absorption and development of Chinese and Western modern poetry: the new poetic viewpoint "reality, symbol, metaphysics", rational form of poetic language and its being named "deep river" in Chinese new poetry for instance of "Nine Leaves Poetry".The fifth chapter sets forth the construction of symbol and symbolism poetic language in field of the pragmatics vision of Semiotics-aesthetics and sums up the main ways of symbolism poetic language's construction: reposing in, correspondence, suggestion, deformation and dramatization.The paper's conclusion thinks that poetry is doomed to get entangled by language as a linguistic art. The linguistic construction of Chinese New Poetry is in need of the awakening and seeking of poets' and scholars' consciousness of poetic language.