New Poetic Form Of Theory Study

The form of modern poetry has been a very important issue concerned about by Chinese poets of modern poetry and Chinese poetry scientists. The occurrence of modern poetry is not just confined to the form (language).Besides,more and more poets and poetry scientists have flocked to quest for varieties of poetry forms in the last a hundred years' development of modern poetry.Liang Zongdai is one of them. As an extremely important aspect of modern poetry theory ,Liang has made a meaningful exploration on the form of modern poetry. Unfortunately, so far, the academic study of his theory concerning modern poetry in the intellectual community is still a bit sporadic,which seems extremely trivial.Based on this,this paper will investigate the theory of the Liang's Poetry form.The following are:The introduction analyses and cards the present research situation of Liang's modern poetic forms briefly and overviews the value and significance of topics.In the first chapter,Liang is restored in the historical context at that time to explain the formation of his theory of modern poetic form.Poetry movement is the incentive of the formation of his theory.In addition,western symbolism and traditions of Chinese classical poetry is ideological resources.The Crescent Moon faction accelerates the formation of his theory and makes the theory systematized.The second chapter illustrates the content of the theory on the modern poetic form.It includes four aspects:first, the basic life of art of all forms----form;second, the language and meaning of modern poetry;third, "Poetry should be the music";fourth, poetry should be "a Kam Fong Dance picture".The form serves as a superclass and durbats the language of poetry,musicality and the beauty of painting.Through investigation into the language, musicality and the beauty of painting of modern poetry,Liang establishes the the poetic character of Chinese poetry and develops rich life forms of Chinese poetry. The third chapter makes reflections on the significance of the theory of modern poetic form from Liang.