On The Paramitality In Literature

"On the Paramitality in Literature" is intended to expound an experience about Chinese classical literature. Paramitality, as an intuition about Chinese classical literature, stems from the logical effect of the text from the innate state of affair of Paramitality. The state of affair of Paramitality as singleness is only significantly empirical. The original experience in the state of affair of Paramitality is a subject's evident experience that is final and untraceable, its universality that transcends routines and aesthetic value. The training mechanism, the characteristics and the techniques in the Chinese writing system about expressing Paramitality, and their effect are depended on the relationship with nature and sacrament. The text of nature, relatively to the subject (the writer), is the process of from "Concept-intuitiveness" to "Re-concept-intuitiveness". The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility. The study of the Paramitality in literature discovers the innate and inherent Paramitality as an existence in unique form, explains the Paramitality problem which is independent of routines and aesthetic value about "LOVE" and "HATRID" ; delineates ancient Chinese and its text which not only creates a myth but also its existence of which is in the form of myth. This dissertation opens up a new field of vision for the study of Chinese classical poetics and comparative poetics.