A Research Into The Ci-poetry Selected Works In Song Dynasty

In the introduction, the author first gives a definition of the Ci-poetry Selected Works, and then makes a survey of the study Ci-poetry Selected Works in Song Dynasty on the 20th century, and last points out the investigative point of the paper.The study of cultural causes is put in part 1 of the paper. From the social cultural angle, this paper comes to the opinion that the idea of amusement on ci-poetry, the consciousness of the respect for ci-poetry, the prosperity of ci-poetry in Song Dynasty, and Chinese culture center moving to the south of China in South Song perrod are the four inseparable reasons why Ci-poetry Selected Works is prosperous in Song Dynasty.Part 2 is the study of From the angles of the theory of the paradigm about the Ci-poetry Selected Works, the theory of headline and preface, and the theory of acceptance, part 2 researches into the function of the ci-poetics criticism with appreciation.The Theory of tbe Paradigm: While amusing the notional domination, the people in the North Song period had the selected ci-poetry style for singing, and the system of the selected ci-poetry presented the diversified trend in the South Song period.The Theory of Headline and Preface: The headline of ci-poetry is distinguishing with the ci-poetics' preface. Most of the headlines in the selected ci-poetry were composed by the editors of the Selected Ci-poetry Works, and few were done by the original authors. From North Song to early South Song , the headline and preface of ci-poetry in the Selected Ci-poetry Works experienced a change- from few to many, establishing the pattern of consisting of many short headlines few prefaces. From the middle of South Song to the end of Song, the works with headlines increased greatly; the short but small headlines occupied the overwhelming majority; the editors of Ci-poetry Selected Works making the headlines become a widespread phenomenon at that time; the ways to make headlines are tended in diversification. Furthermore the headline has the function of the study of ci-poetics criticism.The Theory of Acceptance: The Ci-poetry Selected Works accepted broadly the HuaJianJi. From YueFuYaCi to JueMiaoHaCi, the main objects accepted are always in the steadily variety, from which we can realize the variety of the vogue of appreciating beauty in the South Song Dynasty. The contribution that people in Song period acceptedthe ci-poetry of them own ages for keeping ci-poetry can't obliterate.Part 3 are primarily cases study, which point studies the ci-poetry written by women, the excerption that editors wrote themselves, and the ci-poetry imitirig other people's works.The Ci-poetry Written by Women: people in Song Dynasty had the strong consciousness of valuing the feminine, and we can grasp this point from the ci-poetry that women wrote in the ci-poetry selected works.The Excerption that Editors Wrote Themselves: Consciousness that emphasized the reputation is an important factor that urged the editors to choose them works into the Ci-poetry Selected Works that he edited, from which we can know editor's special heart-road process.The Ci-poetry Imitating Other People's Works: Imitating the object ascends of value the reputation, the likeness in style with the original works is the literary style characteristic of the imitating ci-poetry. People's consciousness of imitating ancient style in Song Dynasty and the intention of the editors are the two important reasons why Nigu ci-poetry comes into the Ci-poetry Selected Works in Song Dynasty.