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The disseration is on Chinese contemporary literature research from the view of comparative literature study.The first partr stresses how the Chinese writers choose some influence from the foreign writers. Thus the "Influence research" on comparative literature study deepens into the " Correspondency research" between the Chinese literature and the foreign literature, the Chinese literature and the foreign culture. " Correspondency" is the proof of the "permanent literary spirit". It is also the key to the great change and the rejuvenescence of the Chinese literary tradition under the in-flucence of the western culture. Because of the pluralism of the Chinese literature and the foreign literature, also because of the great differences between the writers ' characters and their cultural background, the " Synthetical research " from plural aspects. Perhaps, the "Synthetical research" on "Correspondency" is the main feature of the "Chinese School" on comparative literature study. It can be regarded as the rejuvenescence of Chinese academic tradition on " synthetical research on laiterature, history and philosophy", which is corresponding to the contemporary " Cultural review" in the western academic circles.The second part reveals the complex correspondency between three Chinese writers and the influence of the foreign literature. The course of Wang Meng' s writing is a course from clinging to the Soviet literature to inclining to American & . European literature. It shows a typical trend in Chinese contemporary literature on absorbing the influence of foreign literature. It is also an epitome of the great change taking place in contemporary China and many writers' mind. On the other hand, Ma Yuan and Lu Xin are influenced by Borges, the Argentine writer. But their style is different from each other, as they have different character and background. The research on the difference of their stories shows us how the same influence leads to different style. It also reveals the complex effect of the foreign writers' influence and the subjective selection and syntheses of the Chinese writers on plural influence.