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The Revelry Color Of The Qin And Han Dynasties Poetry

Posted on:2007-03-15Degree:DoctorType:Dissertation
Country:ChinaCandidate:K LiFull Text:PDF
GTID:1115360182498194Subject:Ancient Chinese literature
Abstract/Summary:PDF Full Text Request
Ancient Chinese poetry and literature has been an area of research involves work.Chinese ancient poetry is profound, rich and complex, was the poetry commentatorsin the generation of comments from all angles. Especially the Qin and Han dynastiespoetry --Book of Songs , Songs of Chu , Han YueFu ,A Collection of Ninteen AncientPoems and so on, these poems almost a source of Chinese poetry, the poetry of futuregenerations, whether from the theme, content, form, style, rhythm, etc., most can inthe pre-Qin and Han dynasties poetry find few points. Therefore, the importance ofQin and Han dynasties poetry is evident. However, as the ancient Chinese poetryindiscriminate consumers, introduction to poetry in the Qin and Han dynastiestraditional fields of study has been difficult to find a breakthrough point for all thecriticism here, we chose BaKhtin the application of theory to the Qin embodied in theHan dynasties poetry content in depth excavation and analysis.BaKhtin the application of academic theory in recent years is also a hot researchtopic. This theory and the theory of differentiated and some, is that it covers manyareas of research, the text will be placed in cultural studies science, and ethics,historical studies, philosophy, folklore, and other areas, so that the inherent tensionliterary works to expand them. BaKhtin that the promoters of a culture of the seniorcivil spiritual field has tremendous impact role, he opposed ideas in the field ofideology soliloquy against dogmatic, closed and rigid, while promoting the idea ofdialogue, play open, change and innovation. In his view, was more dynamic anddialogue, soliloquy thinking can only lead to a stalemate. As a civil-oriented theory,the fundamental meaning is to promote freedom, equality, individuality and unfetteredlaughter publicity. This introduction to the poetry of Han dynasties there is a certainperiod of coincidence, then it is no more withstand feudal ethical constraints, no moreso-called Confucian classic love, freedom, equality and expression in a more obvious.These free and equal in the introduction to the main ideas of the Han dynasties,poetry is mainly manifested in two aspects, one is the words coming Qin and Handynasties, but is also reflected in the introduction to the Han dynasties folk poetrycarnival.Words in poetry this art form itself can be divided into the object language andthe subject language. Words are language communication unit words described in themain text, the words are a direct expression of their thoughts. In the Qin and Handynasties poetry, these are all the main language of the heart that these words the mainfeeling, they love the unchangeable bold words, the freedom to seek freeman wordsdemonstrates that the times are coming to life attitude. Object language usually refersto the figure in literature, language. The author works through the figures to revealtheir views, and therefore object to the performance of the author of the language issubjective feelings. Here, the object of the expression language could be a name,poetry, given, the chapter of singing, reflecting the introduction Han dynasties Xingpoetry statement said the application form. The statement said the applicationlanguage is stifled by the strong feelings, and behind meaning bold insults and cursein the form of relay. These words from the application forms, we can study theintroduction of the Han dynasties poetry in shaping revelry image, the name of the air,brave lovesickness persons, the pursuit of perseverance and determination of theinsurgents who would then be more perfect shape Revelry image display to the readera completely new concept.Folk mentioned, we will see it and those ancient customs, cultural traditionslinked here, we will folklore and aesthetic, combine the edge of disciplines andcross-disciplinary research into the introduction to Han dynasties poetry, embodied infolk poetry by digging the social phenomenon as well as the internal situation of thesurvival of the psychological and aesthetic values. Poetry in the busy festiveatmosphere, the Shangsi festival in which men and women meet freely, alreadyFestival, Festival lovely Qiqiao daughter expressed festival rave state.Collectingproduction, hunting activities, a San sericulture revealed the application oflabour;Love customs, marriage rites, love life application demonstrates the applicationof nationality;civil dance and worship dance conveyed introduction to the revelrygames in the Qin and Han dynasties period music and dance.Qin and Han dynasties poetry words embodied revelry games and folklore, wesummed up the revelry-style features early poetry mainly in : festive carnival-typeactivities directly depicted;Carnival transplant to the ritual forms of literature;RevelryPlaza to expand the meaning in literature;Revelry time and space, often beyond theorbit of life;This dual image of a few. Games of the form is complex and diverse, hecould not stereotyped and characterization, we merely on the basis of the content oftheir poetry of Qin and Han dynasties summed up above characteristics, so as toimpart ideas from another perspective significance.Then in the application of the confucian school of poetics your world view isdemonstrated its unique place. Confucian spirit approved here by a certain impact,thus deviated from its original, and, orthodox, courteous and soliloquy, and turntoward the extreme, the orthodox edge, courtesy of indecent assault and soliloquy,dialogue. BaKhtin the application of the theory is to help us understand the Qin andHan dynasties period people live two different situations, which are two of the realpresence, albeit mutually antagonistic, but also clearly told to today's readers : This isthe original ecological ancients, this is real life.Will BaKhtin the application of theory and China's introduction in Qin and Handynasties poetry combine to dig out poetry, carnival, color, and this in the arts schoollevel, is cultural, aesthetic, folklore, philosophy, literature is included in a unifiedsystem, in this system, introduction to Qin and Han dynasties period poetry as afollow detailed chains, connections with other segments, a series of beautiful pearls,shinning.
Keywords/Search Tags:Carnival, Revelry, Revelry -style, Words, Folk
PDF Full Text Request
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