| The academic pursuit of this dissertation is to disclose the current discourses and culture forms which restrict the creation of the contemporary novels by the research on different narration purposes and visage about ZhiQing Novel during New Era, and correspondingly comes to the conclusion that the discourse of Chinese contemporary novels to history is actually the pursuit of the reality. So the research is helpful to know about particular trait and the creation of the contemporary literature's overall construction.I define the ZhiQing Novel as the novels, which reflect the living state of city Intellectual Youth during ZhiQing Campaign, including the stories after they return the city. To have a research on these novels vertically and horizontally, I divide these novels into three writing manners and seven narration modes. Moreover, I not only use relevant narration theory to discuss these novels'narrations trait at content and form levels, but discuss those factors which restrict the forming of these novels, specially the latent culture contexts.Political, vanguard and human being writing manners not only demonstrate the variation of history-culture contexts, but show the authors'different reality ask. Firstly, as to the Political writing manner, because writers'needs accord with current ideology completely, scar narration, solemn youth narration and country-attaching narration show cahoots with political discourse. Secondly, as to the vanguard writing manner, with the variation of social focus from politics to economy, the consciousness of literature strengthen. Thus whatever the rational narration or the overthrowing narration begins to alienate with current discourse. Lastly, with the process of market reform, writing enjoys more freedom. When the author writes the history, their basic task isn't serve the politics, but respect the consciousness of art. So both the daily narration and aesthetic narration is far away from the current politics. Therefore though the three writing manners, we not only know about the narration variation from collectivity to individual, but see the... |