Font Size: a A A

Study On High Tune Of Beijing In The Qing Dynasty

Posted on:2008-06-02Degree:DoctorType:Dissertation
Country:ChinaCandidate:H B DaiFull Text:PDF
GTID:1115360215471536Subject:Drama
Abstract/Summary:PDF Full Text Request
The Qing Dynasty is a golden era on Chinese opera, and the local type of opera isespecially various and complex. However it is a weakness on researching tune-pattern,and less in Beijing district especially. The paper went deep into the High tune system,and textual researched on the system one by one in Beijing district of the Qing Dynasty,such as Yi Tune, Yiyang Tune, Beijing Tune and High Tune.ChapterⅠ. Study and Relation on HighTune System in Beijing of the Qing Dynasty.It listed all the history data as dynastic order, and researched on tune-patternaccording to the timetable of the tune name and its character and variety, plus it' scorresponding of name and fact. After tiding up, the author found that all the typeof the tune system, such as Yi tune, Yiyang tune, Beijing tune and High tune, thereexist parataxis among them. Therefore, it attested that they are not the same one ofthis two parataxis, there are not the so called equity such as i.e. or as well as,and with proved independent meaning.ChapterⅡThe Characteristic of Beijing High Tune systemin the Qing DynastyIt attests the different traits of various tune-pattern according to a large numberof historic data, for instance, researching on the misused dialect that is the manifestof the official language. Regarding Yi tune, it is with social function regarding palacehistrionic show. As for textual research on High tune, its general and speciality wasattest, and illuminated that High tune is more thanA large type of generalized name of tune system than any other type of tune-pattern.It addressed the difference between elegance and common in High tune among city andthe countryside, Beijing and other areas.ChapterⅢBeijing tune—Beijing Local Tune-patternIt is a special research on Beijing opera tune that considered on basis of Yiyangtune from the north, and same as Yi tune. According to the historic data, the authorfound that Beijing opera tune is a type of common opera as well as Yah melody. It isa Beijing local tune. Beijing tune is different from all other Yi tune with breezingstring voice, and main in string instead of tune.Yiyang Tune: A folk tune; there are two offsets of elegance that prevailed insideof Beijing city and the commonness that is popular around Beijing countryside.Beijing tune: It is a common opera, Yan opera is a kind of Beijing local opera, and belongs to High tune, but not theoffset of Yi tune.High tune: It is not actual special name, but a generalized tune-pattern system,that is a general designation. High voice is the precondition of its character and name.However, it can be also indicated a typical tune-pattern.All the four types of tune-pattern, such as Yi tune, Yiyang tune, Beijing operatune and High tune, are researched separately according to their own contents so asto avoid researching of confusing more than two tunes. Moreover, distinguishingstrictly for narrator of the time between the statements of later generations,historical materials between theoretic data in order to ensure the information appliedaccurately.
Keywords/Search Tags:The Qing Dynasty, Beijing district, High tune system, Tune-pattern
PDF Full Text Request
Related items