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A Heaven-made Match

Posted on:2008-09-25Degree:DoctorType:Dissertation
Country:ChinaCandidate:D H ZhangFull Text:PDF
GTID:1115360215471538Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The painful recalling and unyielding personality of the descendants of Ming Dynasty were expressed in the art. This painting phenomenon appeared in a system of reform to tradition such as "un-scholasticism " and "independent handwriting " from the end of the Ming Dynasty to the beginning of the Qing Dynasty. Badashanren is a coordinate person of the Chinese painting field from the end of the Ming Dynasty to the beginning of the Qing Dynasty. He establish a monument of personality and art by unyielding nationalism and landscape painting with sense of wind and thunder. The studies of Badashanren's landscape painting have not get the integral and accurate fruit in the fine arts field anciently and lacked for reasonable opinion on the artistic value. This paper try to across aperture and grasp the main body of Badashanren's landscape painting integrally and remedy the previous shortage by means of detail analysis, psycho, image researching, history of arts.The author establishes the study of relation between Badashanren's life condition and the fountain of landscape painting firstly, and draws the basic conclusion as follows by means of psycho: It is psychology and environment that take shape the pathos personality of Badashanren; The particular life promote the particular amusement manner. The paper finds the fountain of Badashanren's landscape painting. Secondly, the author clean out the teacher of Badashanren by means of analysis works; The author divides the Badashanren's landscape painting into the 4 periods including apery period, juvenescent period, autumn period and sublime period according to developing and artistic character of Badashanren's landscape painting and indicates the different character in every period.After studying, the author considers that the principal factors influence the painting style of Badashanren is as follows: 1. "Mind";2. "Spirits of Confucianism, Buddhism and Taoism"; Transform of tradition. Grief and bleak mind in forepart of Badashanren's landscape painting express his mind of national hate. Badashanren's works express the indignant and resistant mind because of his memory of the home country. This is the core of "descendant's idea". The second factor which influence Badashanren's painting style is integration of Confucianism, Buddhism and Taoism; The third factor is that he reform the tradition and achieve his ultimate purport as "resound in the valley" with deeply cultural deposits and painting gift."SUN, HE, YIN and ZHUO" are characters of landscape painting and painting arts of Badashanren. Badashanren's painting reached the peak of Chinese landscape paintings. Badashanren abstracted the symbols and means of Chinese landscape painting perfectly so that we can feel as if immersed sense. He was good at making conflicts and settle them so that the picture is full of rhythm. He became the typical painter in Chinese painting field by his particular ability to be "simple in complex and the move in still". He reach at the transcendent condition as forgetting object and self, identity nature and human being and put up the particular soul that there is neither self nor space time; he sublimed the world of empty and Buddhist condition of no idea, no appearance and no past from the residual and desolate landscape. It is Badashanren's personality to giving up sorrow and depress, getting rid of tribulation, disaster and motives and integrating soul and nature.
Keywords/Search Tags:Landscape Painting, Mind, Reform, Writings and Artistic Essence
PDF Full Text Request
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