Our research on the formation and the evolution of the cursive scripts includes the formation and evolution of the stages and patterns, calligraphy and physical laws, written in cursive scripts in the process of the formation and evolution of the role and so on. Taking full advantage of excavated material and handed-down documents ,our paper gives a deeper study. on the above-mentioned issues.Our article can be divided into eight chapters.Chapter One is a brief introduction. First of all, we define the concept of cursive,and then recall the academic study of cursive formation and evolution in modern times and discuss their lacks. Based on this, we put forward its research ideas and methods. Finally,we briefly summarize the focus of the research..Chapter II, we first study Qin Dynasty and Han Dynasty's cursive ccripts,and then conclude that the script at this period has the physical appearance of the cursive scripts,and define the concept of clerical script and so on. Finally,we analyze the view "Cursive thrived in Han Dynasty ".In the third chapter, first of all through the Annals,we first point out that the time when the cursive is formed should be Emperor Xuan Period of Han Dynasty, and the cursive script has been formed at the time of Emperor Wu., we finally explore the cursive scripts and the art of calligraphy relationship between the conscious,and show that the advanced nature of cursive scripts in the aesthetic and emotional expression.Chapter IV,we inspect the cursive script in the early and late Eastern Han Dynasty and analyze its tyding up and normalization work.We also study the reduction of allogeneic words of Zhang cursive, symbols division of regular script and so on. At the end, we sum up and analyze the traditional script of Du Du, Cui Yuan and Zhang Zhi ,and make it clear that they are the earliest form of traditional calligraphers.In Chapter V, we first inspect the cursive script's adjustment during Three Countries Dynasty and Western Jin Dynasty,and declare that the change of Zhang cursive has already begun in this period, rather than the Eastern Jin Dynasty period, and the revised draft of the script was named Primary cursive. Finally, we discuss the differences between the south calligraphy and the north calligraphy as represented by Huang Xiang of the South and as represented by Wei Guan and Suo Jing of the North. In Chapter VI, we first study the improvement of cursive scripts in the Eastern Jin Dynasty and Southern Dynasty ,and point out differences between Wang Xizhi and Wang Xianzhi . And then we show what reason has has changed the script.At last we take a look at the status of Wang Xizhi and Wang Xianzhi, and point out the positive and negative effects t of Wang Xizhi's calligraphy sageIn Chapter VII, we first inspect the cursive script's breakthrough in Tang Dynasty, finding that Kuangcao calligraphy style has broken through the traditional square structure. Finally we inspect Zhang Xu,Huai Su and their relations to the tradition,and analyze the the reason why tradition repels them. |