The literary criticism of feminist is one of the revolutionary and new patterns of the literary criticism. It is a hot topic both in the domestic and foreign worlds, concerning the fields of philosophy, sociology, culture, literature, feminism and so on. It stands to reason that the literary criticism of feminism brings a burst of whirlwind to the literary world and provides us a wholly new viewpoint of gazing at the historical, present and future situations of literature. Many scholars regard it as an important formation of the fabric criticism appearing after the structuralism. In recent years, there is an active debate about the feminism and post-modern thoughts, bringing a great influence to the contemporary world's literature and at the same time affecting the Japanese literature world.Owing to the special Japanese social, political, economic and historical development pattern, the female writers in Japan are in a unique social cultural context which is different from the Europe and America and Chinese contexts. Under this special context, female writers have to be in the stated"other persons"situation. The particular female experience determines the special female discourse style embodying in their works and the special expressing difference. The theory that is criticized by the feminists, striving for the transformation from the"other persons"that is the object to the subject. The theory should be the theory base of the creations, reading comprehensions and criticisms of the female literature. Based on the theory, the female literary criticism should develop a female literary criticism method that is female experience—female consciousness—female subject.Since the 1980s, the creations of the female writers in Japan have set up a new historical high point not only in quantity but in quality. Their works have been so frequently chosen into some literary awards such as Akutagawa, Naoki that even Lenzaburo Oe looks upon female writer group as the main force starting Japanese"Newly Novel". Their creations show the distinct common times character after Japan has entered the post-modern society. The female writers compose their works with a unique innovation and the creative conceptions of these female writers are mainly from some perspectives such as the special narrative angle as well as the unique narrative tactics. Their works reflect the public survival status in the new stage. As to the subject matter, their works include the contents of the living experience, the description of the ordinary daily expressions replacing the grand narration, the bold body reveal, as well as the creations concerning the high female consciousness and more explorations and reflections on family subjects.The essay starts from the critical angle of the post-contemporary feminist , based on the theoretical framework of the feminism theory under the post-contemporary context. It sorts out and analyzes the contemporary female literature works through the method of text analysis. The essay has superficially classified and reflected the Japanese feminist literary works in the 80s and 90s who are influenced by the western post-modern train of thoughts and thus discarded selectively the theoretical parts of western feminist criticism. The paper tries to integrate the Japanese feminist literature with the actual feminist research, especially unscrambles and analyzes the texts of the seven Japanese contemporary writers such as Tsushima Yuko, Yamada Wing, Yoshimoto Banana, Eiko Matsuura rationale, Yu Miri, Sheng Ye Yoriko, Kawakami Hiromi. The essay talks about from the sexy difference, female experience subjects to the questions of the thinking subjects of feminist literary creations along with the discourse presentations, trying to prove the impact of the feminist theory under western post-modern train of thoughts to the contemporary Sino-Japanese feminist literary creation. At the same time the paper tries to combine the characters of the Japanese native culture and literature, exploring the new topics of the feminist literature in the 21st century. The author expects that through the research we will have a further understanding of the Japanese contemporary literature world and meanwhile let people think about some problems carefully reflected in the Japanese contemporary feminist literature under the background of the globalization and high-technology. These problems are some social problems such as: the divorce rate, the increase of the juvenile crime, the disassembly of traditional family and aphasia, the theory of the demise of literature, the pure literature and popular literature, sexual difference, cross-border problem and so on, which is the deep social significance of the research.The innovations of the essay lie in the following aspects:1. reveal the profound recognition of the contemporary female writers to the trivial daily life based on the new historical stage of post-modern context.2. comply to the individual subjective feeling, the subjective experience and through the analysis of the diversity writings of the group writers, pointing out the thoughts and rebellion of"family", multi-relations between the objects and myself as well as duality location embodied in the feminist texts during this period.3. through unleashing of the sensitivity of the creators contained in the infiltration of the texts analyze the multi-mixed inner emotions and reveal the unique art glamour of the feminist group writers as well as the inherent characteristic Eastern beauty. |