Study On The Language Of Wen Yiduo's Poetics

I will construct Wen Yiduo's poetics from language , which includes three chapters. In the first chapter I will analyse the language concept and modes of Wen Yiduo's poetics. The concept of Wen Yiduo poetics goes through three phases: the idea of four element(sfancy image, heart, syllable, word), motley poem language(sthe idea of"three beauties"and elasticity)and drumbeats poem language. As for Wen Yiduo's poetics, any language lies in the given context, so I put poem language in the article to discuss. Poem space is composed of earthy space and emotional space. The core of earthy space is body, the core of emotional space is thinking, and the core of poetic space is word. From body to thinking to word, there is some inherent continuity apparently, and the creation is just a series of changes: from earthy space to emotional space, and from emotional space to poetic space. In fact, the mode of Wen Yiduo's poem language is the corresponding relation which builds among the three spaces. Reproductive language is the mirror of the world; Lyric language is the mirror of feeling; Symbolic language is the comparability of the world and the feeling; Sapiential language is the criticism of the world.I will analyse the language elasticity of Wen Yiduo's poetics in the second chapter. Wen Yiduo's poetics goes through the change from pure poem to various poem. the phenomena'appearing is due to his seek after the poem language and the oppress of specifical poem condition, that is to say, from pure poem to various poem means from pure poem language to various language. In a word, this is a test to confirm the limit of poem language. So Wen Yiduo put forward the idea of"three beauties"in the 1920's to melt the beauty of painting and music and architecture into poem, and he thought that poem should absorb the advantage of the novel and drama. This idea shows the trend of poem's evolvement. So I try to put forward the beauty of dance and the beauty of sculpture in poems, and I will construe his criticism of poem. In this way, the pattern of Wen Yiduo's poetics includes all the aspects: the beauty of painting, the beauty of music, the beauty of architecture, the beauty of dance, the histrionic of poem and poetic comment.I will dig the source and its pass of Wen Yiduo's poetics language in the third chapter. Wen Yiduo'poetics language results from inheritance and creation. Translation is important resource of Wen Yiduo's poetics language, and translation relates to his culture concept. On the side of the special culture stand to syncretize Chinese culture with west culture, Wen Yiduo persevered in the opinion that giving and accepting are equal in each period. Although the opinion was always restricted and affected by all sorts of instance, on the whole, Wen Yiduo's culture concept is right. Under reviewing his translation and culture idea, I will try my best to outline a trail from origin to text in the chapter, and I will disclose its change and culture concept. I will discuss the internal relation of Wen Yiduo poetic language and all its language tradition, whose principal part is"fu bi xing"language,purely beautiful language and symbolic language, and whose core is"lv shi"and sonnet.I will disclose the meaning and effect of Wen Yiduo's poetics language in the conclusion, and I will try my best to find the possibility to puss the development of the free verse. on the whole, I will discuss the three relations: free poem and"lüshi", writing and life, poem and non-poem. From poem form, I insist on the free verse should follow rules and forms; from poem language, the free verse should connect abundant relations between poem and reality; from poem development, I agree the development of the free verse is a course from non-poem to poem, But there is a corresponding limit. The contemporary vanward poem enlarge the boundary of poem, that is to say, anybody should not make poem turn into non-poem.