| Chinese language film mainly includs mainland film,Hongkong film and Taiwan film. Also include the other region Chinese film.These films'topic mainly with Chinese people people life, content the Chinese nation esthetics spirit. Because of theory limit,this text only discuss mainland, Hong Kong and Taiwan films and not discuss other places'Chinese language films.Put forward the concept of Chinese language film is China film phrase concept for orientation change of economy, politics and academic world background do of all new adjust and ego definition. It make the film person, audience related researchers can be in a forward-lookingly area to come full understanding cross-straits three regions Chinese language film characteristics,development situation,the possibility of future development of current and combine total development situation of full confidence economy and political globalization.It can enhance communication and understanding of three regions. Confidence"one China" slice meaning , true foreground of diversification system and investigate its prospect.For long time, the Chinese language film research lay particular emphasis on sorting data and description of time , real thorough study and discuss return of esthetics regulation combine is not enough. This thesis is theories practice of trying comparison research method and principle study to neraly 20 years three places research.On the methodology, adoption of three grounds of research with horizontal of comparison. Culture analysis is lord, text origin analysis in order to assist ,culture analysis and text origin analysis inside combine outside, carry on extensive contaction and logic push, point study neraly 20 years three regions of Chinese language films esthetics difference in the ground. Combine in thoroughly the comparison the whole common or respectively special esthetics meaning. To the ages background, identity culture, humanities angle of view , amusement position,esthetics type, philosophy principle to carry on overall comparison of neraly 20 years chinese language films. Analysis the cultural existence appearance and esthetics value problem of Chinese language film development process,and a series film phenomenon worthy of considering, announce art regulation from reason , induce its creations meaning from the theories investigation, to look for an art regulation for Chinese language film development, to provide theories fulcrum and art mark for the future of development of Chinese language film.Chapter 1, ages background comparison. The ages background of the neraly 20 years mainland, Hong Kong, Taiwan Chinese language film have common and difference. Three regions have challenges of globalization.The globalization bring deep transformation of politics, economy, culture. United States force upon the consciousness to the not flourishing region by medium hegemony. Three grounds Chinese language film accept challenge of globalization , open an exhibition dialogue with differences culture, discover the cultural character of oneself.Realize "the double win"in the dialogue with the Hollywood and the exchanges interaction. The ages background that three grounds face has a difference, From the beginning 90's of last century, for successive years carry on a market reform, the film industry appeared good source of vitality to now. Hong Kong rely on a good commercial tradition, consume culture come out in Hong Kong life of each level. The Hong Kong Chinese language film get a booming development in the good environment. Taiwan Chinese language film market reform fail, Government gold policy intention to urge development of turning over a check and supervision development of films.Chapter 2, identity culture comparison. "Identity" is people ego, emotion token to moderate the exterior world. Identity worry anxiously is experience of mankind spirit level lose. Three regions film emphasize mankind's spirit and material, Soul and body level work properly, rear the identity is lose with helpless. This is a kind of identity perplexity which lose a root. But these worry anxiouslies seem to be again existent some difference.Mainland mainly appear worry anxiously from independence the body of race parable. Hong Kong create identity worry anxiously in"97 big limit". Taiwan be more to appear worry anxiously in unify/independence issue with colonize experience. Three regions person aware a modern worry anxiously fetter nature existence and non- reasonableness of person. Look for identity rescue three regions essence of the freedom and activity in certain meaning. The mianland research identity in the history write. Hong Kong look for identity in 97 colonize faintness identity and China culture return, Taiwan look for a new ethnicity identity in post modern cultural solution. The race of Chinese language films is the most worthy of problem in the identity. It is also the core problem of identity of the Chinese language films. When three regions Chinese language film face differences cultural of globalization. The race is the core of its identity. Three regions Chinese language film want go to world step by step. It rely on of success secret since isn't politics, isn't art, but is race. Last later 80's century of the mainland films perform negation identity experience to Cultural Revolution. The fifth generation concern personal life and value, Their creation usually is have widespread meaning of"personal",be in the history of personal, Their films usually have thinking of the history and the identity. When Taiwan films investigate race, perform consciousness of affirmation at very great degree, the affirmation of ego history experience.They put forth effort in the middle get away from old experience and the mental state appearance, make effort to build new identity experience. Different from mainland identity thoroughly negation and Taiwan thoroughly affirmation, The race of Hong Kong more body attitude of pack tradition identity and the west culture.Chapter 3, humanities angle of view comparison. The humanities concern is a movie culture of an importance direction.Three regiongs films come from Chinese nation culture. Whatever time, pay attention to person always being a cultural concern topic. Three regions film is placed in float zero.This kind of environment is the clip of reality existence.From the relationship of time and space, ego and others, for abandon of the modernity, the edge person have difficult of fixing position, all appear the indetermination of identity. The sixth generation film with solid style not- direct reveal of consciousness, put forward tough existence circumstances a problem in the edge life, The edge repeated emergence in the the sixth generation. All directors together choose the topic. Hong Kong's politics and economy is placed in edge position, At this kind of foundation of edge city, Hong Kong director have history negative heavy feeling outstand its edge of describe,look at a special community of visions——the edge person. More close with Hong Kong, The edge of economy and politics turn very easy cause Taiwan mindset to the edge. The edge mindset become atrophy modern esthetics consciousness. Although style of three regions'humanities director have difference, they all concern civilian.Common life is the main object of performance . They fall in love the public at the display of thought and emotion. Influence by main current consciousness, market approbation and post modern anti-great recount current. The six generation of mainland convert to daily life, promote small scaled recount. Hong Kong new wave tide film director concern all kinds of people of existence condition in society change medium. After "97", civilian concern consciousness within Hong Kong film further strengthen. Hong Kong person meticulous at the feeling of "in front and back 97 ageses" . Taiwan new films of civilian concern to a large extent dependence in great recount. Therefore in the last century 8090's, The Taiwan new films nicely kept lay equal stress on of thought and film esthetics. Three regions people present to enchant, this isn't cover own appearance, the ego be out of control, lose a kind of the reliability and consciousness domination. A few mainland films take amusement, dream as basis to carry on the emotion which drain alienation and make it more close to the behavior of original beginning man's natural character. From colonize to return ,Hong Kong have been economy height flourishing district.In director's eyes, The alienation is full of the middle class and upper-class society of city. Society relation of diaphragm very obvious. The Taiwan new ethnicity film lost the person's corpus, outstanding ego doubt, emphasize corpus to lose, objection whole center, include the objection whole power center, authority center and selfishness.Chapter 4, amusement position comparison. The amusement is the total characteristics of the film.The film work hard to fit together with the mental state of the audience and satisfy audience amusement of expectation visual field. From last century 80's , mainland go to the market economy from planned economy, The film walk to commercial progress gradually. The receipt of a film become measuring a film whether one of the successful importance index signs. Be Hong Kong is the east Hollywood. The film is a kind of daily amusement, film is willingly to become adjunct of amusement, move around in loca(lNative) with global(multinational). After period of film in Taiwan is Qiongyao film and knight errant film. The amusement film industry declined, New film current and later film still is the very strong art slice which have not business meaning and can not meet audience amusement request.The last few years reconstruction in Taiwan film business also appear a turning point. The cultural research emphasize the way of doing of problems, such as race, culture and rank...etc. nothing but inside" field area" of fight. But commercial art film in Hong Kong can then throw to project a part of inside ability move in "art field area". Be art field art film and business film of the area also existence obvious of strong or weak, Though the content of art film is higher than amusement business movie at a certain degree, it lost the public,so amusement business film is of pre-eminent cultural capital. Compared with mainland, Taiwan, Hong Kong art tradition isn't very strong.The England government long last"hands-off" policy make Hong Kong cultural difference. Hong Kong film have mightiness forgive. Be a cultural capital seem to be particularly in"art field area". In three regions films, amusement of Hong Kong is more stronger than mainland and Taiwan, But the "text with carry truth " and" education " idea of mainland and Taiwan is stronger than Hong Kong. Result difference in three regions of amusement lie in politics and art of combinatuion.In lastest several years, mainland and Taiwan rightness weaken respectively the interference of political to literature, particularly the mainland through reform open, literature policy gradual release, three regions exchanges gradual multifarious. Want a real common prosperity of realization three regions. Make a film together is a very nice way.The audience from three regions.Therefore the communication in the culture, policy, schedule...etc. all seem to be particularly importance. From take the long view, Three regions film should repair with each other benefit. Aggressive investigate is a long term development double win road,demand a kind of the great vision. This is a race cultural mental state of the process of the historic change. Three regions make film together means dissimilarity consciousness cooperation strengthen day by day. Three regions films work hard to turn into a diversification, mankind and type expand.Chapter 5,esthetics type comparison. The type film is the outcome that the film industry pursue a receipt. But the outcome turned a characteristics to pursue a receipt of a film through a program and been an audience mental state approbation. Through Chinese language type film endless development process, consume incline is obvious,it is easy turn to quantity produce, content and style, idea and recount fit together with audience expectation, stir up their collective unconscious.Neraly 20 years, Chinese language type film have change in consume background, Pass a transformation type or set up new type to make an exaltation receipt of a film. This is special current film cultural circumstances of three regions. Ignore face to an international market or Chinese market, Type film transformation or new set up is the result of development of consume . Chinese language film trend is want to regard for the public interest, idea and drain interesting aspect. The market of film turn a chaperonage with internation. The transformation of Chinese language type film meet the world audience demand and increace receipt, projected people consume desire. If The film clapped out want to quilt a world audience to see, with this crazy accept a receipt of a film, So the contents have to match mental state expectation and esthetics angle of world public. Three regions each have its mature type. The war film of the mainland and the nostalgia film of Hong Kong,pink film of Hong Kong and female film of mainland Taiwan, The hometown film of Taiwan and village film of mainland type,these films have common and difference. Three regions Chinese language films not only existent comparison of the type and type.For same type, three regions films have special features. Be the representative of Hong Kong and mainland comedy film, comedy films of Zhouxingchi and Fengxiaogang have big difference and common. The growth film of Taiwan and mainland film existent difference and common. The underworld film of Hong Kong and mainland also existent difference and common.Compare three regions films, contribute to long repair short of three regions to take in investigating future, help each other with resources,create high peak together, betterly exertive art spirit and business scheme.Chapter 6, philosophy principle comparison. When the audience appreciate film, certain philosophy content is a key to films. Because the audience always have own expectation visual field.People ask for the philosophy among film recount. The excellent Chinese film is total to want accord to a philosophy principle. The principle of China tradition philosophy also seep through the neraly 20 years Chinese films. Three regions Chinese language films all subjected by Confucianism, Buddhism and Taoism, again performe certain of difference in the meantime. Mainland keep both of attitude to tradition philosophy. Hong Kong is a manifestate special city image in tradition and west philosophy. Taiwan then performent tradition philosophy by its good Chinese studies.Neraly 20 years, in addition to three regions films keep Chinese tradition of Confucianism, Buddhism and Taoism, still appeared strong modern philosophy. Ignore mainland, Hong Kong and Taiwan,when many directors perform existentialism, they are full of to painfully sad and complications feeling. They intend to attack the person's spirit existence condition . In the meantime, people are for the sake of the existence,they can go to orientation this environment, fantastic spirit philosophy contained among them is come out, Deconstruction also is a kind of philosophy thinking of Chinese language films cultural. From last 90's century, The reform make mainland of politics, economy, the culture be placed in a spirit open ages. It present a very society for tolerate existence space. The theories space that modern philosophy give is open and freedom, The six generation start to sing leading role in this ages. Hong Kong come from good business environment,use interaction text technique in the film application.Interaction text technique is the flourishing importance password of the Hong Kong type film. Interaction text technique is ability of indetermination and meaning of frolic in post modern text,be originality text meaning sow in new text. The profits pursue to urge Hong Kong usage interaction text technique again and again. Surmount old esthetics rule in the meantime, in addition to the increment of the quantity, the aspect of quality is also break. Because Taiwan people is incapable disaffection to the government, The motion shown on the film is a mind to pessimism. But this kind of film imbed realistic skill to post modern experience,carry on depressed lifelessly performance.Conclusion, future of outlook development of three regions Chinese language film. The double that is in the globalization, Hollywood to many nation, especially the three world ,carry on capital break on the economy, carry on permeate of"the west turn" on society and culture, transplant west of life mode and cultural custom, thus weaken the residents' race consciousness. Face to Hollywood,Japan, Korea ,Tai, India and Iran movie carry on reform and rising and formate marketing way respectively. International market experience of the other countries to the film producer is to have very important draw lessons to the Chinese films to integrate globalization and resist the Hollywood. Three regions Chinese films can adopt common development strategy, scoop out race sign, structure world widespread emotion,pay attention to esthetics of modernity, concern whole mankind's topic,construct good international marketing strategy.Concrete to three regions, because three regions have dissimilarity of political environment and film practice process after 1949, so three regions have special strategy in the future development. To the mainland, mainland turn reform good trend in the current film market, most what demand do is to continue deep turn a series of system change and innovation. The neraly 20 years film market turn reform of success, if film industry want to develop, inevitable according to the market, Substantial of market of is that the championship is inferior to discard, being the film product of competition ability has to bear this experience. Hong Kong film demand do is strongly an exaltation film quality, have to resolute objection work carelessly of produce condition quality. The filmdom want strongly develop an excellent film producer person, significant exaltation the manuscript of the film creations,let the international filmdom come to the value Hong Kong film, urge Hongkong films take back the Southeast Asia market and expand new of overseas market. Taiwan demand reform guidance gold system, film policy have to standard with market value, Depend on art films can hardly let Taiwan film take back a receipt in the future. Being the film concept of product have to be fixed accurate.
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