The Japanese Contracted Sound, Long Vowel, Syllabic Nasal, Choked Sound And Medial Of Ancient Chinese Phonology Corresponding Laws

China as an ancient civilization thousands of years of history, history in every respect to neighboring countries and regions have made great effect. From a linguistic perspective, the ancient Chinese to neighboring countries and regions of the language system and also exert more or less influence. Chinese three big foreign dialects of Japanese speech system in difficult tone, long tone, dial tone, promote tone is generally referred to as " special sound ", they have a Japanese natural speech which has its characteristics. These four kinds of speech in Japanese natural tone system had never existed, they are in Middle Chinese phonology influence gradually formed, which has become the Sino-Japanese scholars accepted fact. Therefore, these four kinds of special necessity and Middle Chinese phonology audio form a neat correspondence. Through the comparison of Middle Chinese phonology and the Japanese special tone, finds out the corresponding law, not only can clear middle Chinese phonology to Japanese phonology effects, and contribute to the middle ancient Chinese phonology studies, as some simply to Middle Chinese difficult to explain the phenomenon of language to provide more objective basis in fact.Japanese difficult tone can be divided into two categories:one category is a difficult tone; a class is difficult tone. The modern Japanese language, and difficult tone has evolved into which fret. Therefore, the modern Japanese will no longer thinning of opening and closing, collectively referred to as difficult tone.In fact, difficult tone for translation of Middle Chinese band sound "IMVF" structure of the syllable form. A difficult tone of Chinese characters [i] sound tone, and difficult tone on the translation of Chinese characters [w] sound sound. Middle Chinese three rhyme and four rhyme with Chinese characters in Japanese sounds in Wu Han tones of voice, difficult tone to form a neat correspondence, from its corresponding rhyme category, Japanese difficult tone corresponding to the middle ancient Chinese vowel, consonant endings ng tail Yang rhyme and entering tone rhyme; Middle Chinese and Japanese Chinese characters. Tone in tone, Wu Han sound difficult tone also formed regular corresponding laws. Only the Middle Chinese phonology initial consonants and vowels with Chinese characters in Japanese, can determine the tone of voice, Wu Han sound difficult tone form or not. Middle ancient Chinese phonology and Chinese characters in Japanese voice tone, Wu Han tones of difficult tone corresponding system Japanese difficult tone formation should be starting from the translation of Middle Chinese rhyme sound structure, along with the Chinese characters pronunciation difficult tone formation and in the Japanese phonology in widespread use, difficult tone was used to sign English external speech, thus the formation of modern Japanese phonology of the difficult tone. Can say, without the influence of Middle Chinese, Japanese phonology of the difficult tone is not formed.Japanese long tone is in the absorption and transformation of Chinese compound formed by the following rhyme. Formed from its source can be divided into the following several kind of situations:Rhyme at the end of [i] compound vowel form "ぃ" long tail;Rhyme at the end of [u] or [o] compound vowel form "ら" long tail;Nasal consonant for [η] compound vowels form "ぃ"long tail "ら" long tail or voice sound;Entering endings for the [p] complex vowels to the formation of "ふ" sound, after conversion to "ら" long tail.From the above the long sound source, Middle Chinese vowel end if [i],[u] and [o], will form a part of Japanese long tone; the other two is the source of Middle Chinese Yang rhyme and entering tones, they and the Chinese characters in Japanese music long sound to form a neat correspondence. Specific laws as follows:The1Middle Chinese Yin rhyme at the end of [i] phonology and Chinese characters in Japanese audio tone corresponding laws-offering of three or four Chinese characters in Japanese rhyme and tone the tone relative;The2Middle Chinese Yin rhyme at the end of [u] phonology and Japanese long tone corresponding laws--Ho Department one or two rhyme and Hou ministry, three or four rhyme with Chinese characters in Japanese audio tone relative;The3middle Chinese Yang rhyme and Japanese long tone corresponding laws-ng endings Yang rhyme and Chinese characters in Japanese audio tone relative;The4middle Chinese entering tones and Japanese long tone corresponding laws-P tail into the sound and tone of Chinese characters in Japanese long sound relative.Japanese dial tone comes from Middle Chinese [n] and [m] positive rhyme tail tail. In ancient Japanese tongue nasal to ancient Chinese [n] tail Yang rhyme pronunciation, with the lip in translating ancient Chinese nasals [m] tail Yang rhyme pronunciation, to laryngeal nasal to the translation of ancient Chinese taIn the medieval Chinese language into oxygen, hill was [n] endings and salty perturbation perturbation, deep [m] endings and Japanese dial tone form neat corresponding relationship." Rhyme "[n] consonant pronunciation corresponding dial tone, because " Guangyun "[m] coda has not disappeared, Japanese [mu] corresponding [m] consonant pronunciation.[η] to endings of Japanese [u] or [i] corresponding test. The corresponding rules only reflects the early Middle Chinese to Japanese dial tone forming effect. Later Medieval Chinese [m] endings gradually disappeared,[m] characters ending incorporated into [n] endings, Japanese dial tone gradually established. But also." Guangyun "[ng] endings and [n] consonant with the Chinese characters, Japanese dial tone volume increase, rich Japanese dial tone systemIn Japanese, promote tone is entering tone rhyme into Japanese slowly evolved. Ancient Chinese, Japanese entering tone rhyme had passed, but at the time of entering endings processing is simple interception, i.e. to not sign way of absorbing. Because this is a kind of incomplete absorption, so entering tone rhyme may not form of sound. Until the Middle Chinese, the incoming Japanese entering tone rhyme endings to occur in various tag mode. Entering tones pronunciation characteristics very similar to modern Japanese of voice, the voice that entering tones effect on promoting effect on the formation of Japanese music. Middle Chinese, entering endings to Japanese phonology of embodiment, thus realizing the entering tones completely absorbed, promoted Japanese promote tone formation. Therefore, Chinese middle period is an important period of the formation of Japanese promote tone. P tail in the ancient Japanese to/[fu] translation; t tail to/Internet [ti] or/[tu] translation; K tail to/[ki] or carbonate/[ku] on translation. However, this translation mode exists only in middle chinese. Later, P tail part of entering tone characters to/[tsu] translation formed promote tone, and is still in use to modern Chinese; the other part is to U/[u] translation long tone, and on the basis of P before the end of the main vowel the size of the opening is subdivided into a long tone rhyme form, three rhyme form a bend long tone.ptail rhyme characters after the first consonant will Chinese characters are voiceless [k],[s],[[t],[t∫],[ts],[p] one. The voiceless consonants correspond to the Japanese kana respectively:row, row, row, Connecticut is line,ttail rhyme characters and other Chinese characters are combined to form a glottal stop, followed by Chinese characters first consonants are voiceless consonants [k]、[s]、[∫]、[t]、[t∫]、[ts]、[p].ktail rhyme characters and other Chinese characters are combined to form a glottal stop, K tail rhyme characters after the first consonant of Chinese characters are the vast majority of voiceless consonants [k], basic and other voiceless adjacent to promote tone.