| 19 th-century Italian opera took their cue from the Italian people at the turn of the century the moral tradition of the crisis in the pursuit of honor, has experienced sustained grand opera, opera buffa decay of the crisis, in the darkest s back on the political stage, for opera the ethical value of creation concept, with full of vitality of heroic epic story, a patriotic story, the pursuit of happy life with dignity, the pursuit of true love and so on as the main theme, with masculinity tenor for the leading role, once again, the Italian opera to the peak, ushered in the "bel canto school" in the new period. The romantic period, moral responsibility is always throughout the creation, transmission, performance of the opera and so on each link, they with rich dramatic moodVerdi came to Italy to struggle for national liberation, with Austria’s colonial rule of the heroic struggle of the revolution. His opera works against ethnic oppression and the pursuit of the eternal value of fairness, justice, freedom and so on as the main content, the working people under the oppression in the darkness of the colonial rule facing the moral dilemma, as its genetic opera drama, with full of patriotic enthusiasm music encourages people to struggle. Such as nabucco, o that, "Lombard people" and other works inspired the unification of the bourgeoisie, Italy as a prominent contribution for the Italian national independence movement.Puccini is Italian real socialist opera master, his works focus on the end of the 19 th century to the Europe before the war, to subvert the traditional European opera, the national folk music as the main material, the "love" the eternal theme of creative on the opera stage. His creation broke the European music the narrow theory of "advanced" artistic value, make the music to the world of the east, also make the westerners essence of artistic diversity are found. Such as "madame butterfly" Japanese women in Japanese folk song qiao qiao sang faithful love, "sunny day" to become the world’s opera on the stage of love song, puccini so values of western alienation social chaos, the opera audio-visual has better bearing the artist the right love view, the family ethics’ s call.Rossini opera creation to the bottom of the people’s real life as the script, with Italian folk songs and folk dance music elements, to map of Italy characters from all walks of life, reflect the social from all walks of life. In rossini opera works vividly depicts the moral emotion problem drives people to do good. He through the criticism of the hypocritical character, trying to explain once a departure from the natural human nature of moral feelings, will fall into how crime abyss. By the attention to human problems, represented by rossini Italian opera writer created the comic opera of a happy life reflect citizen stratum, real socialist opera, such as new opera art form, and the late romanticism utilitarianism happiness and joy from the bitter philosophy critique, and artistic expression of the citizen stratum of the romantic pursuit of "national happiness" and the longing for "the dignity of life".Romantic period of Italian opera’s ethics thought and artistic expression, as the school music philosophy produce important influence on modern society, especially in adorno "in difference" concept of music. He put the modern generation of music as alienation "vision" of the society, the real performance without moral social repression and persecution of main body, the spiritual value of practice is a delegate with schoenberg "atonal music", a discordant note in the structure of tonality and liberate the real expression of alienation reality of evil and good game art truth, the tension of both promoted the "twelve-tone technique" music to who little distortion of the personality, the attention of misery, prompting modern music break through the shackles of commercial music, realize the modern music "person" of "identity", highlights the modern modern music aesthetic power of ethical spirit. |
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