The Nineteenth Century. On The Artistic Characteristics Of The Italian Real 'opera

The 19th century Italian real socialist opera, although in depth, compared with literature can't with real socialist ideological trend and the defects of the local details-keen to render, lack of broad and profound social meaning, but in European history, it was once become the mainstream of the opera, until today have certain effect. True socialist opera in Italy and Europe opera produced in the history of the influence of cannot be ignored. As for its further comprehensive study to have the important meaning.This paper is divided into five parts. The first part is the introduction, emphatically from the real socialist opera production, real socialist opera research status summary and elaborates the significance of the research. Try by the time background, the instrumentality of literary trend, internal factors in three aspects such as the true socialist opera produced summarized, points out the necessity of real socialist opera appeared; Then from the general description and based on features of the research based on a single writer in two aspects of real socialist opera summarized induction; Points out that true socialist opera as the 19th century Italy and the western world particular society, history and culture, the result of the associated effect of carrying the rich human thought development and culture art rheological choice, can say, real socialist information from its birth and development operas, is Italy and decline of social and cultural development ups and downs appeared. Alternative The second part from theater characteristics, music features and aesthetic features on the real socialist opera art features in method analysis, mainly by the text and comparative study on the method of real socialist opera masterpiece:"manasseh karni country knight," (1890), listed the carvalho's "clown" (1892), puccini's "artist's career" (1894) case analysis. The third part of the real socialist opera characterization features and causes, the paper suggests that the Italian real socialist opera works didn't like the enlightenment period that the historic choice grand theme or rational issue, but more sights on ordinary people in daily life, shaping a number of representative of "little guy" image, but "nobody" to have a "big significance" of women, and displays the praise and criticism for men. The fourth part mainly expounds the spirit of true socialist opera with aesthetic appeal, and points out that the value of real socialist opera is largely a tragedy, but in ordinary characters and have a comedy, whole presents the organic combination of the harmony and conflict. The fifth part is epilogue, points out the 19th century the real socialist ideological trend open to real socialist opera, "little guy" attention, pull back the line the more distant opera direction of walking in real life, the performance good, true and false, and shameful expression of human nature and true in development of various factors, but also the theme of opera greatly broaden the opera's aesthetic view and spirit space, but because the real socialist opera in thinking and artistic, plus the limitations of the 20th century music form after started the multiplication tendency music begins popularity, modernism and gradually faded out real socialist opera horizons.