Study On The Classical Chinese Short Stories Of Wang Yuyang

In the beginning of Qing dynasty,Wang Yuyang according to the theory of vervewas famous poet and literary world leader.He was a excellent short story writertoo.He wrote many types,profound short stories and wrote many short storiescomments.He attached importance to The Strange Tales of Liao Zhai for the firsttime.He also payed much importance to the Chinese novels.So,His achievement inshort story field should be more respected.The study of Wang Yuyang classical Chinese short stories long-term problemsare as follows:Lack independence;Attached to the poetry studies; attached to the studyof The Strange Tales of Liao Zhai;Research is limited to the mystery and the peoplecontent, etc.The influence of the concept of ancient and modern novel is differentmade researchers tending to separate Wang Yuyang short stories,to meet the modernsense of the fiction more attention.For other content, deny its novel value,lack of anovel perspective to research and analysisAs a whole,Wang Yuyang classical Chinese short stories inherited and developedthe classical Chinese short stories tradition.In surveying the long history of shortstories, on the basis of extensive reading the ancient fiction,Wang Yuyang had anancient and alternative view of the classical Chinese short stories. Pay importance tothe authenticity of content, to the social function of short stories,and writing stylevariety changed.Step after Wei and Jin dynasty，study Tang and Song dynasty,andabsorb all ancient short story works.The classical Chinese short stories of Wang Yuyang has rich story types，including the national politics， economy， social life，geography， products andother fields. This paper adopt the generalized novel de-finition of the classicalChinese short stories of Wang Yuyang.Wang Yuyang born in the eminent family， localized official， generation ofpoem’s unique position， has formed its own unique spiritual temperament， moreattention at the trust of the imperial examinations， with grass-roots consciousness inwriting subject， in terms of gender awareness of women consciousness. Wang Yuyang inherited and innovated the classical Chinese short story. Theclassical Chinese short stories of Wang Yuyang had put the classical Chinese shortstory in a higher position， absorbing more literature subject matter content，movingthe laws system and farcicality novels into the classical Chinese short stories. Novelof Wang Yuyang both has the characteristics of the official first person omniscientnarration， and the first person and third person limited knowledge of narrative mode.From the creative process， Wang Yuyang attaches great importance to the roleof the classical Chinese short story. From individual motive， reading novels islifelong pursuit. From the point of view of psychological， novel is "big hiddenboat". From the theory of the classical Chinese short story， the classical Chineseshort story is Supplement of history. The classical Chinese short story has profoundwriting motivation， regional surrounding gives achievements of "feng shui". Thefamily is the original foundation in his story. The cultural tradition gives contents ofits whole novel， while moral culture giving special spirit. Wang Yuyang had putShandong literature onto a new historical height during the Ming and Qing Dynasties.Another peaks formed since the song dynasty， was a "Wang Yuyang phenomenon".From the cultural perspective in Shandong， we can analysize "Wang Yuyangphenomenon"， and then can analyze Wang Yuyang under the perspective of"Shandong culture". Wang Yuyang phenomenon as a gene， we can look updevelopment and the characteristics of space-time map of Shandong culture in Mingand Qing Dynasty.