Research Of The Temple Theatre In Shangdang

In this paper, the Temple Theatre in Shangdang as the main object. Applying theories andmethods related disciplines drama, archeology, religion, sociology, folklore, history, culturalanthropology, etc., on the basis of previous research, was carried out systematically combing andresearch analysis.Heritage is the material carrier and opera drama of cultural activities closely related to itstextual analysis not only helps to understand the origins of opera, the formation, development,prosperous, failure of historical features, but also conducive to summarize the universal law, makingdrama study focus stepwise regression "stage", which greatly broadens the horizons studied dramafrom "text". And as one of the important types of opera theater heritage, since they generate hasbeen plagued with drama, change its shape, layout and opera performances are all closely related.The remains of the theater from the number, shape and age tradition of integrity, respect, templetheater with undisputed typical and representative in the history of Chinese theater, itscomprehensive and systematic study tour, no doubt about China the Best Way to urban and ruralancient temple of theatrical pomp.Was chosen as the main research area in Shangdang, because the remains of the TempleTheater in Shangdang not only in quantity, dominant on the shape diversity and heritage context arerelatively clear.Meanwhile, inside the temple in Shangdang opera theater remains a large number ofinscriptions, inscription stage, Shangdang Folk also found a variety of Ming and Qing sacrificialritual manuscripts and idolatrous worship ritual activities and fun family descendant, Shangdangoperas, such as Shangdang Lazi "live" cultural art form has been retained, such valuableinformation as to restore the Temple theater in Shangdang provides an important basis for livetheater. Therefore, a certain sense, this is a microcosm of the history of ancient temple theater andperformances in the history of China. In this paper, physical theater and temple in Shangdang remains to be analyzed with historicaldata, divided into Song, Jin and Yuan, Ming and Qing four stages, and their characteristics aresummarized temple theater of all times, and inheritance among all age evolution of relationship. Onthis basis, the Shangdang Folk diversity and universality of God Faith, as well as penetration andpopularity of folk ritual thought were related to explore that folk deities folk belief and ritualideological pluralism and universality penetration and practice is in Shangdang and prosperoustemple theater created an important reason. And further choose to take Shangdang extant Buddhisttemples and temple theater theater space in Shangdang in two villages in the distribution of relatedphenomena research analysis. These undoubtedly understand Shangdang urban and rural villages invarious areas of the construction of the temple theater, repair and sacrificial ritual, communitytheater and other historical features tournament provides an important reference.