The "non-fiction" Writing Theory

From writing text written with the relationship between the object of the world,literary style in general can be divided into fiction and non-fiction style.Non-fiction literary style is not type of style was born, it is a long culture gradually formed with the development of the social change, and writing.In the history of Chinese literature, "non-fiction" is the backwash of fiction literature in the 20 th century.The reportage hot rising in the mid of the 80 s and the new realism novels in the 90 s are the regression of the spirit of traditional literature.Entering the 21 st century, particularly active non-fiction writing performance, and emerged a large number of excellent nonfiction, promote procession of non-fiction boom. "People’s literature" of "non-fiction" and "the people of the earth" non-fiction writing program,and for the development of non-fiction literature has important role in promoting.At the same time, they also led the researchers to pay more attention to the non-fiction style.The controversy about the "non-fiction" pretty busy.Non-fiction" writing is not only a kind of based on text content real way of writing and style type, it also holds that all the spread of gimmick expression non-fiction writing meaning expression and the propagation mode.This article through to the news, reportage,documentary fiction, nonfiction, private novels, biographies and journal literature and several kinds of non-fiction in degrees of different literary comprehensive investigation,combined with theoretical knowledge to present category, properties and characteristics of the non- fiction style in the cultural development process.This paper is to research for"non-fiction" writing note jumped out of the original mold of "documentary" ﹢"literature", and it is devoted to the interdisciplinary coordination witness.This paper analysis the relations of non-fiction literature and media from the five elements of communication-- communicators,recipient, text, media, and effect in the literature ecological.With the developing of the media technology, the non-fiction is not only present in the form of printed publications, but can be expressed in the form of data encoding and can be existed in media such as TV, computer, mobile phone.Compared with traditional literature carrier, media convergence, globalization and no-physical make literary charm bursting with new attitude after media convergence.Main show isenhancement of velocity,expansion of communication and development of dimensions.The progress of communication awareness and the correct of communication purpose make non-fiction literature return to the mainstream of literature transmission.If in the past the average reader of non-fiction literature is the relationship of "accept", like"magic bullet theory" described in communication--medium with irresistible power, and the message conveyed in the waiters like a bullet into your body and drug injected into the skin can cause direct quick response.Then, with the development of new media technology and popular culture, the aesthetic demand of readers and the writing purpose of nonfiction become "interactive" relationship, namely "limited effect" said by Lazarsfeld.The communication of the relationship--"text-people" in the parents’ culture change to the "text- space- people".In both documentary film and television political talk, from the point of performance forms they are fictional text and media product of fusion and the result of technological progress.Putting the birth and development in the process of the whole society,they are an important part of cultural change and the main factors driving new culture change.Media discourse to the non-fiction "goods" have value-added significance,making non-fiction relying heavily on vision and relying on technology and consumer,gradually completed the backward from the modernity of modern excessive, but it is not the end of the non-fiction literature.The thesis is divided into two parts of the introduction and main text.The text includes four chapters.The first chapter is about the global experience of fiction writing.Respectively in the "non-fiction" heat and for non-fiction related problems of academic debate to express your point of view.Carding the history of non-fiction writing,as well as for academic roots "non-fiction".And supported by a typical text of non-fiction writing category, type, nature and significance of comprehensive and in-depth analysis.The second chapter discusses the content is fiction writing different from other literary style characteristic and the individuality, mainly on the "non" of non-fiction.Analysis the non-fiction writing and the internal point and external representation, it is concluded that the two of the style of writing and "non" three layers of meaning.Elaborated in the cultural development of china non- fiction, show the relationship between non-fiction and fiction.In the third chapter, the author put non-fiction writing in the context of media convergence at the meaning of communication.Through the disseminator, the recipient,text, media, studied the communication effect, analysis the the deep relationship with themedium of fiction writing.At the same time, the two kinds of non-fiction writing expression, the traditional writing text and mass media after the media fusion text comparison, analysis of non-fiction writing speed, breadth, and dimension change, such as to provide evidence for non-fiction writing communication study.The fourth chapter, is a statement of the non-fiction writing media exists.Based on documentary film and television political talk so typical of observation, discusses the new technology and non-fiction writing linkage to produce the form and aesthetic significance of new culture.