"Successor" Problem And Literature Cultural Imagination In The Early 1960’s

After ten years of construction, in 1960s, The People’s Republic of China was internally facing the increasing problems such as "three differences" and other structural ones, and externally the threat of "peaceful evolution" and the Soviet Union hostility caused by "revisionism" concerns, these factors lead induced by the founder of the Republic of China for the cause of communism will be by who inherit the worries. The younger generation which were high hopes, they act as "inherit the successor to the revolutionary cause of the proletariat" is expected to give full play to their subjective initiative, to counter the crisis era and create a new world, and the crux of the problem lies in how to conjure up a new subject. From the "successor" to "how to cultivate successors", the political problem into the problem of culture and education, thus, the "successor" issue has become the core theme of the literary field of this period, this article believes that the "successor" constitute the "inner vision 1960’s" Literature-culture thought, which is this paper during this period, the entry point, this article attempts through the "successor" to the observation of how people think about the issues of the times, the expression of views, and further discussed the relationship between the discourse style and create a new era of the subject, thus revealing the difficulties encountered in the literature-culture to the 1960’s era proposition. The details are as follows:The first chapter of this paper attempts to present the understanding of the "successor" problem from the angle of the changes of discourse. This chapter to the China Youth "discussion" the column letters from readers, for example, reveal "individual words" as "petty bourgeois self dispelled; and by new political discourse criticism of Youth "Xiaowen, showing a people of crisis era recognize and deal with the crisis. The second chapter reveals the "successor" of "opposing and preventing revisionism" context. Mainly through film "Early spring in February" discussion around to present "opposing and preventing revisionism" the era of discourse, and further reveals the plight of the discourse. The two chapter attempts to discuss how to construct the socialist culture "successor" which is a new subject in the discourse of the other. The third and four chapter, through the "employment" of this specific angle "successor" problem. Choose "employment" problem, not only because of the "employment" problem itself can represent the crisis of the 1960’s, and the "employment" of young people is the most vulnerable to the crisis of the field of crisis. This two chapters selected three texts, "Han Meimei" "Successor", "Young generation", display areas are rural, urban, and larger space-association formed by Shanghai Qinghai developed areas and backward areas, field changes also heralds the "deepening of employment issues; the first two text are professional writer, amateur writing lovers the creation, selection of works of different periods, artists and amateur creators, is also intended to form a sharp contrast. Chapter four intentions around the creation of drama "Young generation" from two aspects, one is through the creative process to show the writer’s intention to be discourse of the times, leading the adaptation, thus works have to be specified in a set of ideas and mode of discourse; one is intention are discussed on the basis of the third chapter, when the new subject of political vision can only be expressed as a set of ideas of discourse, there is no perceptual "self will make a new subject become empty, and this is also reflected in the create a "successor" of the dilemma. The fifth chapter discusses the phenomenon of "Red Crag ", in a metaphorical sense, I put the creation of the novel "Red Crag" as is "successor", a general response that "Red Crag" shape of the main hero in the Chinese literature of the 1960s reached a new height; however, the novel " Red Crag " is the product of organization way of writing, so this chapter intention based to organize and faith "framework, the thesis discusses the cause of communism as the main heroes of faith, how to grow out of the transcending organizational strength-but it also constitutes the socialist cultural dilemma.