Traditional Painting Of Song Dynasty In The Ecological Field Of Vision

At present global environmental problems are becoming increasingly prominent, ecological environment problem has become one of the focus of people’s attention. Ecological criticism, ecological aesthetics more and more into the study of literature, especially in the field of painting and other cultural and artistic performance. Song Dynasty as the peak of the development of Chinese painting, with many professional artists, in addition, many literati and scholar officials participated in the painting and painting criticism, which made the painters generally have a higher cultural accomplishment and aesthetic taste. They pay attention to describe the original state of nature, and tries to show the natural beauty of life and willing to get along with the ecological beauty. In this process, naturally reveals the painter emotional thinking about nature, although this awareness may unconsciously, simple, yet systematic, and also has a significantly different with the current concept that the ecological research in order to protect the ecological environment as the starting point, but which contains the ecological meaning is a kind of ecological aesthetic meaning of the expression form, has a very high value to the increasingly prominent global environmental problem. In this paper, the theory and method of ecological criticism will be use to the study on the painting in Song Dynasty, under the perspective of ecology, main use the literature combined with the method of image analysis to extract and classify the ecological elements in paintings of Song Dynasty, and make a kind of ecological aesthetics of examine and interpret, mining the ecological meaning of the painting of the Song dynasty, concurrently discusses development of the ecological theme of painting in the Song Dynasty. The main part of this paper is divided into five chapters:The first chapter summarizes the Song Dynasty ecological culture and the basic situation of the Song Dynasty painting. The rapid development of ecological painting in the Song Dynasty has a profound historical and cultural background. With the ecological consciousness in the Song Dynasty in the rapid spread of the whole society, song Dynasty people has increasingly rich ecological knowledge and the beginning of a system of ecological concepts, prompting the painting creation pay more attention to the natural ecological, and pay attention to on the ecological image sketch and description in the painting, increasingly convex show its unique ecological aesthetic cognition, appeared to have different regional style and features of the times.The second chapter and the third chapter, on the basis of the analysis of the representative works of the ecological theme paintings of the Song Dynasty, to extract the ecological information. Paintings of the Song Dynasty contains many ecological elements, mainly related to stone river flow, many plants, animals, the weather and climate ecological elements. In the painting, the Song Dynasty people often flexible use the ecological elements, depicting the various ecological picture, including to Kaifeng, West Lake, Red Cliff, Xiaoxiang, Shuchan as the representative of the natural landscape and royal and gardens of different places, fully embodies the Song Dynasty people is eager to work with the natural landscape and with natural ecology to seek the will of the spirit of ecological balance and happiness, These became the rich ecological meaning of the Song Dynasty painting. Meanwhile, the seasons change of the natural ecology make a corresponding impact on production, life and cultural activities of the Song Dynasty. Thus, the Song Dynasty produced a number of paintings about seasons, the depictions are that people in different festivals celebrate eco climatic change and pay to avoid fierce, these depictions reflecting some folk ecological awareness.On the basis of the above analysis, the fourth chapter analyzes the ecological implication in the Song Dynasty painting. Under the guidance of literati painters, the song Dynasty people pay more attention to the ecological images of connotation, from the simply depicts biological external form and nature gradually shifted to the attention of purposive lovemaking, drawing such a natural creation theme of ecological culture symbol implication has been deepening and development, forming a unique aesthetic concept. At the same time, Song Dynasty painting creation and evaluation are also have unique ecological characteristics, in the painting theme selection, the Song Dynasty people pay attention to nature scenery, fun and natural law gives touches the artist’s soul and inspiration, to the best theme of painting; in the style of drawing and painting evaluation, the Song Dynasty people often connected to the nature of the ecological quality and ecological context and style of painting realm, respecting the nature of painting aesthetic.The fifth chapter summarized the ecological creation methods of painting in the Song Dynasty. In the influence of the flowering of sketch style,the Song Dynasty painters in the ecological theme painting, have developed many new observation and characterization methods of ecological elements. The Song Dynasty paintings contains the ecological elements of animals, plants, and scenery, not only have been a major breakthrough in depict species, but also have substantive progress in the way of observation and forms. The Song Dynasty people focus on paint from life, using a variety of observation methods, especially the use of the perspective method of San-Yuan. In scenery description, the song is also fully aware of the different changes of natural scene, using the hook dye chapped rub and other kinds of means to describe it, vividly depict the characteristics of various ecological elements. In the painting, the Song dynasty people express their longing for nature in the landscape paintings, describe the ecological characteristics in the sketch paintings, use particular images symbolize the noble quality, and use fixed representatives symbolize good luck and happiness. They sketch in ecological themes of painting creation developed rich cultural dimensions, to guide the painting after turning attention to the inherent meaning of the trend.The Song Dynasty paintings show a more comprehensive and rich biological world, reflect not only the animal and plant ecological conditions and showing their ecological perspective in the form of painting, but also greatly promoted the development of the Song Dynasty painting. And the Song Dynasty people in the drawing is often depicted the life condition of people in the natural environment, and people in the natural environment in the ideal state. In the long process of nature description, the Song Dynasty painters will also mainstream ecological concepts unconsciously into the painting creation and evaluation, their paintings showing a unique appearance different from the past in the ecological aesthetics:on the one hand, they praised the realistic style of painting in the Song Dynasty, on the other hand, with more and more literati painters who accepting the thoughts of Neo-Confucianism into painting groups, gradually establish a set of ecological epistemology, changing painting aesthetic trends after the Song Dynasty.We examine the creation and theory of painting in the Song Dynasty from the perspective of ecology, analysis the ecological characterization and ecological implications of the paintings, deep excavate and deconstruct the ecological thought and ecological beauty of the paintings in the Song Dynasty, try to clarify the ecological wisdom of Song Dynasty and the natural ecological harmony from the perspective of drawing. These studies are conducive to reflect on the ecological destruction of human centered theory in the context of the current ecological crisis, and make an overall analysis the complicated reasons of the recently ecological crisis, and have great significance to seek the scientific way of harmony between man and nature.