Ming Tang Dynasty Poetic Painting Series Literature And Research

Ming and Qing dynasties are flourishing period of Tang poetics and important development period of Chinese paintings, in which present an art phenomenon-the artists had created a large number of paintings concerning with Tang poetry. The innate qualities of Tang poetry make itself to be stuff of the paintings, so in the Tang dynasty had regarded it as a topic to draw, and to be expanded in the Song-Yuan dynasties. All of these made important demonstration for the painters of Ming-Qing dynasties. During this period, the whole society’s culture was in the high level, based on the growing citizen and accumulation of two thousand years. Therefore, these became the background and basis of the Tang-poetic paintings of Ming-Qing, and also put forward a higher request for creation.There are many reasons the artists of Ming-Qing to create Tang-poetic paintings, and even can be said to be a variety of mixed. The creation also has many types, such as phenotype&cryptotype, sentence&text, single&photos and so on. Although dynasty alternation form Ming to Qing, the theme and subject matter concerning Quiet, Comfort, Seclusion and Friendship have not changed much in the Ming-Qing dynasties, which proved once again that the words of Qian Zhongshu "the poem equivalent of Nanzong painting style is not the poetry in high quality or authentic, while the painting equivalent of verve school is the paintings in the high quality or authentic."The asynchrony of creation and compiling results in two questions:varia lectio and mis-edition, which to be discussed in this article. Because the ancient classification of paintings is very trivial, the paper would take the modern methods to analyze the Tang-poetic paintings. The paper point out Tang poetry has made the tremendous contribution to the creation method of Chinese landscape painting, the shape of some historical figures and humanistic connotation of Chinese flowers and so on.The paper has done the case study in Tang-poetic paintings of Ming-Qing, and tries to make profound criticisms and explanations using the theory of iconology and textural research. Finally, the paper has analyzed the other three issues, which are artists’ poetic quality, same title creations and painting-poems.The appendix of this paper has three, the appendix is the literature collection of Tang poetry in the Ming and qing dynasties poetry painting, Tang poetry show list, respectively, from the Tang dynasty show chronology, Ming and qing dynasty painters list of Tang poetry painting creation.