Stick And Break Through

Beginning with the movie Mother directed by Zhang Yuan in1990, the New Generation of China movie (NGCM) has gone through for20years and won a prize in the world again and again. So, more and more people pay attention and discuss it. NGCM has learned and absorbed acknowledge through the traditional resources of the Chinese film and world cinema resources to practice film. They gave the world a new shocking experience, which made them film combatants. In the past20years, the new generation makes a progress with the cross-culture communication. They made important contributions to Chinese films including contemporary culture modernization, nationalization, diversification and internationalization, and even the spirit of exploration and cultural character of the film. They will still continue to show the value and impact in the future. In this thesis, we will interpret the contemporary process and status quo of intercultural propagation, trace the source of cross-cultural communication film of the new generation, and analyze the difficulties and obstacles encountered in the practice of cross-cultural movie. We try to seek to the culture way of Chinese movies to talk with the world and we also try to make Chinese movies break through difficulties and obstacles, and rise the Chinese national film in world cinema.This thesis discusses the problem mainly from four aspects:The first chapter is to explore and analyze the multi-context of the cross-cultural transmission of the new generation film(NGF). A variety of factors start to participate in accounting for the rationality, necessity and urgency of the cross-cultural practice of NGF. Since1990s, these factors such as, the politics, economy, culture, film censorship issue and the film market changes a lot.The second chapter is to analyze the basis of cross-cultural communication of NGF. New generation Chinese film (NGCF), have absorbed much from world cinema resources. Under the influence of the world film, they showed a very prominent international character, which became a solid foundation for the spread of cross-cultural film, and achieve the goal of giving Chinese national film(CNF) world a bright and promising future.The third chapter mainly focus on the analysis of cross-cultural communicating difficulties and obstacles encountered in the process of cross-cultural exchange with the world cinema. In the process of exchange between NGCF and the world film, obvious defects and deficiencies occurred in movie merchandise, cultural products, or ideology, which made it difficult to obtain full recognition among the world’s mainstream film. Therefore, CNF can not be fully exchanged and understand in the cross-cultural communication.The fourth chapter is to explore the cross-cultural road of a breakthrough of NGCF. A film road to the world would be found to face the reality of globalization and the plight of our own cross-cultural difficulties. The new generation filmmakers and film itself, the Chinese government and the film market are going to offer great help in cross-cultural breakthrough of NGF to the world, and the rise of the Chinese national film forces nouvelles.