Gender Research On Contemporary Chinese Mongolian Literature Narration

With great changes and diversification of society and culture, descriptions and thought of gender in modern Mongolian literature become very complicated——some have discussed problems like the game between national consciousness and nation identity, how intellectuals revalue national history, the sublation of traditional national culture and so on. Writers of different genders in different periods have their own opinions. In short, there are culture information with mational features and contemporaneity in modern Mongolian literature. This paper study the multiple connotations in gender texting from the view of intellectuals.The paper is aimed at presenting multiple connotations of modern Mongolian literature by focusing on gender narrative and analyzing humanistic spirit value from the view of female, gender and female experience, with the standard of human. Besides introduction and peroration, this paper will unfold its discussion in four chapters.Chapter one analyzes modern Mongolian literature’s revolutionary narrative, dissecting unique national culture connotation and aesthetic appeal which appear in reproducing, building and disassembling the gender image and system. The narrative on the relations between Mongolian and Han reflects their multidimensional relationship. Some stories reflects how Mongolian Intellectual feels about national relation’s changes. The typical female images in Mongolian revolutionary narrative have the same characteristic with main literature of the times. Strong lady images reflect the fashion of the times, and the aesthetic tradition of Mongolian women. Bad girl images show how main political discourse influence traditional culture. In these texts tradition and revolution’s relationship is complicated.Chapter two probes into the historical stories in modern Mongolian literature from the perspective of gender. They aim at highlighting traditional gender culture of Mongolian by recalling the history, which focuses on rebuilding the national spirit. In this field, the traditional character of men, such as bravery and tough ones are taken as positive factors for national development. So are traditional outstanding women. However, some stories affirm war, violence and power tactics, which reveal their shortcomings. Female images are still in the frame of traditional gender system, while their shortcomings as human are ignored. Historical figures, Ke E lun, Shuchi, Boru Zhu reveals collective unconsciousness of a nation.Chapter three focuses on problems of gender narrative and national identity in Mongolian ecological literature. The imagination of female is quite ideal and poetic, revealing the characteristic of national identity. It traces back tradition and takes it as great source of national spirit. Images of ecological heroes are the represent of Nomads, which show great connections between Mongolian men and nature, and the necessity and urgency of nomadic culture identity in current society.Chapter four discusses how gender factors work in enlightenment literature. New enlightenment has a great impact on Mongolian literature after it was introduced in1980s. Love stories of Lama reveals a long existing male group gender circumstances, critiquing Buddhism’s depressing of humanity, subconscious acceping and reasonable observing of Buddhism spirit from ultimate demand. With the trend of enlightenment, Mongolian literature finds Mongolian women’s bad living condition and reveals the prospect how they liberate themselves.The connotation of gender description in Mongolian literature is rich and complicated, revealing the profound meaning of ethnonymics and cultural anthropology. As a Mongolian woman, I hope to propel the understanding of my nation and expect a multivariant and humanized culture construction.