The Musical Thought And Literature In The Early Period And The Glorious Time Of Tang Dynasty

In view of the close ties of music and literature has existed since ancient time, music and literature could not view as two isolated individual in Tang Dynasty, but influence each other. Early Tang stage is a rise period of the Tang Dynasty and at the Middle Ages. From the time chain point of view, the development of culture and other aspects has inheritance. The ruler’s musical thought in this historical period is not only the decisive factor to promote the music prosperity, but also has a profound impact on the development of the Later Tang Dynasty music. The early Tang dynasty rulers facing complex musical environment open the breadth of mind to attract a variety of musical elements that laid a liberal ideological tone for the music. Tang music is mainly concentrated in the court, under the background of social stability, the attitude of the music of the ruler shows enlightened musical thought-based, depending on the phenomenon which gradually absorb more kinds of musical elements on different historical stages. So combing the development of the early Tang court music is a powerful means to clarify the different musical ideas under the influence of ministries class music development and to outline early Tang Dynasty Music and prosperity curve. This paper, based on classing the ritual, Yan music and religious music, by analyzing the attitude of the different historical stages rulers to the music, depicts the development of a variety of musical elements in the ministries kind of music, which outlines the early Tang Tang harmony historical process of multi-category Music. There is no doubt that the evolution of musical thought is a crucial factor to promote this historical process. It promotes the early Tang Dynasty music to achieve a harmonious coexistence of multi-category Music and the music-related literature in a variety of musical elements side by side by a corresponding change to the evolution of the development of convergence. Therefore, to depict the early development of the Tang Dynasty music is to study the impact of music literature, and the relationship between literature and music.The first chapter the ritual system mainly analyze the meaning of the early Tang Dynasty "ritual music" and from the narrow and broad to clear the concept of "elegant music", in the early Tang Dynasty ritual culture research background. After the Six Dynasties, the ancient sound Ya song cleanse text extravagance culture. With the increase of the ritual activities, from Taizong to Xuanzong Dynasty, the main ritual spirit shrouded the world as the core content. The formation of this case is inseparable with respected imperial power to the sound and the control of the ritual music. Based on this, this chapter divided the period into three stages:Gaozu to Taizong, Gaozong to Ruizong and the Xuanzong period. And by studying rights and music development in early Tang, find that Taizong respecting "ritual music" is the foundation of elegant writing style prosperity. Gaozong inherited this development, but under the Wu Empress regime’s influence presented reversal. In Zhongzong and Ruizong period, the reversion of elegant style arised, but it is showing weak situation. The climax stage of ritual music respected in Kaiyuan reign Early Tang Dynasty, at the advent of the the Tempo political crisis tends to decline.Chapter II make relationship between literature and Yan music thought in the early Tang Dynasty as the research object. By studying Yan music development from Period of GaoZu to Taizong to the Emperor Gaozong to Ruizong period, found that Yan music in the early the Tang history make a function as the core characteristics and there is a concept of gradual enlargement process. The main reason of the specific connotations of Yan music have been later scholars’ hotly debated is here. With the decline of the ritual characteristics and enhancements of the performance, in the process of diversification of Yan music, the relevant literature in the content and many other aspects changed. Hu music, folk music elements are involved, Ching music development changes and even the rise of the Act song for Conviviality final shape and even impact associated literature in the rhythm, style and other aspects. The Xuanzong reign period has more open political atmosphere and enlightened musical ideas and bold music creation attempt is a decisive factor procure Yan music to complete the stereotypes.A typical example of political openness of the Tang Dynasty is the implementation of Confucianism, Taoism and Buddhism, which provided the ideological foundation and policy support for the integration of the Tang Dynasty music with the religious musical elements and the parties themselves thinking. Chapter three from the development of religious music in early Tang Dynasty, analyzed the relationship between religious music and literature. The so-called religious music refers to the the two parts of music:the user-friendly music and music with religious overtones of religious activities. The chapter argues that, regardless of the Buddhist music or Taoist music, to trigger religious sentiments of the role of the media impact literature incentives, in this emotional trigger, the literati creation of sound intervention of the Spirit of Zen cents melt into the Buddha principle and interest and the color of the Taoism, content creation emotion and style changes. Piano music and piano music literature are powerful interpretation and description of this phenomenon.Chapter four from the aesthetic point of view,"He" the idea of the early Tang musical development to be summed. The reason why the music of the Tang Dynasty toward prosperity and steady the situation, is to achieve a variety of musical elements increasing integration of real implementation with the ruling class and the harmonious development of the "He" music aesthetic ideology in closely relevance. This idea the Confucian ritual ideological and Early rulers laid enlightened musical ideas psychological basis, gradually formed through the coordination of the different periods of music contradictions within the music sound phase and the the external musical genres harmonious development of the situation, balance the sound of the tone, emotional and political relationship between the early Tang Dynasty music development to achieve focus on the court because of moderate fusion Hu music, folk music and other elements and prosperous development of the situation, led to the literature toward the theme of the expansion, diversification of forms of art, creative style diversification direction forward. Reign during the Tang Dynasty music prosperity of literary creation during the peak period, rulers open the first year for the balance of all kinds of music contradictions "He" thoughts means, at this time, the music toward the development of the booming situation. The. addicted female music, growing out of practice of the National Policy reign towards the gradual shift from the Kaiyuan toTempo crisis, Hu music and other elements in the rulers over the introduction of court music and the implementation of Hu music changing into Han music, Hu music and Hua music fully integrated process,"An Shi Rebellion" pop open the door of the court, the court music and folk music from the fusion,"Hua Yi’s debate"thereafter up and down many common debate hot. But from another perspective, the generation of this situation is certainly the late Tang Dynasty no longer the ancient sound unpleasant situation, but to promote the fusion of the Tang Dynasty music, music-related literary form toward the vulgar development, lyrics are increasingly common, gave birth and flourishing of words, music and other forms of literature.