The Research On The Music Of Tibetan Buddhist Rituals In Gegen Temple,Xing'an Inner Mongolia

As the largest and most influential representative of the Tibetan Buddhist temple in the eastern part of Inner Mongolia,Gegen Temple has been three hundred years old.In-depth study of the historical,religious and humanistic knowledge contained in the Gegen Temple is a necessity to supplement the Buddhism in the eastern region and even in the whole Inner Mongolia.Therefore,the author puts the direction of the paper on the music of the Gegen Temple,the use of ethnomusicology theory and research methods,folklore,sociology,anthropology and other disciplines into the combination of field investigation,theory and practice of combining the method.This paper takes the first-hand information as the basic material,analyzes the specific content of the Gegen Temple ritual music from the perspective of music analysis,analyzes the music ontology and summarizes the music characteristics.This paper investigates the historical and cultural background and the present situation of the Buddhist rituals of the Gegen Temple from the Gegen Temple,the three parts of the ritual music,The The first part is the introduction part,including the origin of the topic,the meaning of the topic and the status of the study.The second part is the text of the paper,composed of three chapters.The first chapter is the historical and cultural evolution of Tibetan rituals in the Gegen Temple.The first section mainly elaborates the historical and cultural background and the present situation that the Tibetan ritual can survive.The second section is the historical and cultural evolution of the Gegen Temple.Mainly on the development of Tibetan Buddhism in the Xing'an area and the spread of the history of the root of the temple.The second chapter is the structure of Tibetan ritual music.This chapter is divided into two sections,the first section is the chanting ritual musical form features,included section summarizes the contents of the chanting ceremony,includingritual time,ritual field,and ritual instruments and the main analysis of chanting ritual music features,including chanting tone,tone characteristics,pattern structure,rhythm beat.In the second section,we mainly elaborate the characteristics of the musical form of the horse,which includes the status of the Chama ceremony,and the time of the horse,the role,the chama,and the musical characteristics of the instrumental band.The third chapter,Gegen Temple Ganzhuer law ceremony music record.An Analysis and Analysis of the Music Part in the Ganzhuer Law Society of Gegen Temple by Using the Research Method of Ethnomusicology.Including the contents of the Ganzhuer law ceremony,which elaborates the time,field,participant,instrument used in the law rituals;analyzes the musical characteristics of the Ganzhuer method,and concludes the artistic characteristics of the ritual ceremonies.Is the instrumental accompaniment of the music characteristics of the summary.The third part is the conclusion,which is the summary and generalization of the research results of the thesis.The last part includes references,appendices and thanksgiving.Is the author to collect the history of the picture on the root of the temple.The appendix is the author of the field study in the shooting of the instruments and pictures of the interview,as well as the film of the Gegen Temple of the process of recording pictures and spectrum,but also part of the paper supplement.