The Study Of Poem Prefaces In The Yuan Dynasty

Abstract:This paper is a collation and study of poem prefaces during the1.5century in the Yuan dynasty.In short,"poem preface" is attached to or associated with a preface to poetry. It is based on the "Mao" Poem Prefaces as the source, gradually incorporated with the poetry (association) in a prose.The research object of this paper is mainly those prefaces in poetry preorder,and those between poems and poetry text in front (tail) poetry (draft)."Introduction" first introduce the significance of the topic and the research ideas of this thesis, and then review the preface mainly introduces the research literature, poetry research since20th Century:Research is still hot to Mao’s preface, as cohort study, the Tang Dynasty poem preface research results more prominent,the Song Dynasty poem preface research have small achievements, the Yuan poetry study very weak.The first chapter is the general study of poem prefaces.in-depth study of poem prefaces origin, from the perspective of word meanings,"preface" word meaning "east wall and the west wall", it was used as a "narrative" or "clue", and therefore has the extended meaning of "order","start","dawn" and so on. Considering the previous every statement, we think Mao’s Preface is the earliest poem preface currently visible.The general situation of poem preface before the Yuan Dynasty is:Han Wei Jin Southern and Northern Dynasties existing number consists of144, preface is the theme of the "conversation","banquet". The total number of poem Prefaces in the Tang Dynasty for930. the "Full Collection of Tang poems" the696, the"Full Collection of Tang proses" preface of234. It is not education circles on the statistical results on the whole two Song poem prefaces, according to the "Full Collection of Song poems","Full Collection of Song proses" sort, number of the whole Song Dynasty poem prefaces in about2400articles, and the Mongol Yuan period about3600, slightly more than the Tang, Song poem prefaces sum.The second chapter is the discussion mainly about the relationship between the Yuan Dynasty poem preface and poetry text. Roughly divided into four categories: explain the background of poetry; sum up the content and reveal the main thrust; the comment text and indicate the source; supplement and extension of lyric.The first section of the third chapter is the introduction of Yuan Dynasty poetry, focusing on the Yuan people think of Yuan poetry. In the view of the Yuan people, Yuan Dynasty poetry before the event far beyond, which taste is not inferior to the poetry of the Tang poetry. The second section is the Yuan Dynasty Poetics "ZongTang Fugu" theory,which is the main tone retro Yuan Poetic Theory, also is the modern style poetry of Tang Dynasty, ancient poetry "Zong Han Wei", in general,"the Book of Songs" concepts as authentic, advocating the return of traditional poetry "Feng Ya".The forth chapter discusses the Poetics of "origin" theory and "Qiongong" theory. Yuan Dynasty poetic ontology "honesty","Zhi","Li","Qi","Renqing","Xingqing" of the theory, and to "Xingqing" theory is the most universal and representative, stressed that "the nature of truth" and "correctitude of disposition". Basic element in the previous "Qiongong" theory, in-depth reflection on the poet "poor" and poetry "workstation" problem and its inner link, put forward full of speculative Yuan Dynasty poetics "Qiongong" theory,which mainly has three kinds:one is Liu Chenweng’s "Qiongong decided by the times and the fate of subject"; two is the Dai Biaoyuan’s "Qiongong decided by the fate and the subject"; three is the Hu Ciyan’s " Qiongda decided by the fate but not the poem".The fifth chapter and the sixth chapter is the study of poem prefaces in Yuan dynasty. The first section of the fifth chapter discussion on Title Interpretation and analogical problem of Yuan dynasty poetry. Yuan poem preface Title Interpretation for the "new" features in the following aspects:Break the routine Title Interpretation structure, adopt distributed Title Interpretation methods in the text layout, the emergence of a new form to question sentence word for word Title Interpretation and objective interactive Title Interpretation.The second section discusses systematically investigated for Caishi activities in ancient China. Yuan Dynasty is the heyday of Caishi activities in ancient China, with the lower scribe scholars as the main force of the Caishi team on an unprecedented scale, personnel involved in the identity of different. The Yuan has unique pertinent Caishi theory, the poetry published, achievement strikings, Very prosperous Caishi activities become the literary history of Yuan Dynasty and the Chinese culture in a beautiful scenery.The first section of the sixth chapter from the unique perspective of poem prefaces to the most prestigious Yushan literati party activities:according to poem preface, combing the previous Yushan elegant gathering activities, places, year personnel and main content, Fenyun versing is the core of Yushan elegant gathering of literary activities, poem preface is a mirror reflecting Yushan party at the end of the Yuan dynasty literati mentality and the changes of times.The second section is the seminar about dream theme of poem prefaces. In contrast, the number of the Yuan Dynasty dream poem preface more than before, content is richer, more extensive themes, more detailed, some longer dream poem prefaces has a novel structure, can be almost completely get rid of the poem text dependent and independent, unique aesthetic value of art. Yuan people attempts to interpret the dream in the poem preface, it embodies the unique understanding and theoretical value of the Yuan Dynasty dream poem prefaces.The seventh, eighth and the ninth chapter focuses on the literature value of the Yuan Dynasty poem prefaces.The seventh chapter mainly theoretically discusses literature value and historical value of the Yuan Dynasty poem prefaces.The eighth chapter is the application and embodiment of the Yuan Dynasty poem prefaces literature value in practical research in the case, divided into the research about the author, the research about the work, and the comprehensive research.The ninth chapter is a textual research on the Yuan Dynasty poem prefaces of non Han Chinese population. During the period of the Yuan’s ethnic diversity and complexity in the China historically unique, non Han people in various fields especially active in Yuan Dynasty literature. A considerable number of textual involving non Han people’s deeds in the Yuan Dynasty poem prefaces, most of them have the supplement function.