The Study Of Yuan Poetry From The Perspective Of The Integration Of Mongolian And Chinese Literature

Yuan dynasty is a unified feudal dynasty established by Mongolian,in which the most violent clashing and the most profound blending of the binary culture of the nomadic-agriculture,Mongolian-Hanhas ever been occurred in the ancient history of China.Yuan dynasty poetry,as a medium and link between Mongolian and Han cultural exchange,provides a wealth of information for our study.This paper,based on previous studies,using the theory of mutual reflection of poetry and history,conducts macro research and case analysis on poetry from the perspective of Mongolian and Han literatureblending and tries to sort out the positive role played by poetry in the blending of Mongolian and Han culture in Yuan dynasty.In Yuan dynasty poetry,there were many poetries about Mongolian accepting the Han culture,in addition to existing research,there are still many research can be done.The first chapter studiesthe Yuan dynasty poetry and Mongolian's advocacy ofthe Confucian culture.In the great cultural system of the Central Plains,the Confucian culture is at the core,which is the moral system necessary to maintain the political system.In order to meet the needs of ruling the Central Plains,Mongolian rulers gradually adoptedand turned the respecting Confucius and advocating Confucianism intothe basic national policy of the Yuan dynasty.Yuan dynasty poetryhas interpreted the historical process of Mongolian advocating Confucian culture,such asreceiving Han Confucian,studying Confucianism,worshiping Confucius,establishing Confucianism education system,andimplementingimperial examination system,to promote the spreading of Confucian culture and strengthen the Han literati recognition of the Mongolian reign.At the same time,Yuan dynasty poetry also showed the Mongolian poets' understanding of Confucianism.The second chapter studies the Yuan dynastypoetry and Mongolian's favor ofthe Taoist culture.While Mongolian Yuan dynasty occupied the land of Jin Song,it also owned the people of the Jin Song dynasty.Taoist teachers and disciples from the land of Jin Song joined the Mongolian regime,and the Taoist culture gained the favor of Mongolian,which directly promoted the blending of Mongolian and Han culture and literature.Yuan dynasty poetry not only shows theQuanzhen Taoism and Zhengyi Taoismfavored by Mongolian',but also showsMongolian poets' acceptanceof the Taoist culture.The third chapter studies the Yuan dynastypoetry and Mongolian's recognition of the Buddhist culture.Although the Mongolian regime tookthe Tibetan Buddhism as the state religion,but also respected the Han Buddhism.YeluChucai,as a Zen Buddhist,is the earliest poet to spread the Zen thought to the upper classMongolian,whose poetry of depicting the conflict between the Buddhism and Taoism in early Yuan dynasty has great significance;Liu Bingzhong,an important counselor of Kublai,also aRinzai Zen monk,in the description of Kublai's war of Daliin his poetry,wrote about Mongolian's acceptance of the Buddhism and Zen thought of ahimsa;Yuan dynasty poetry monks wrote that Mongolian think highly of the Han culture.There were many interactions between Mongolian poets and poetry monks and they has left behind many Buddhism related works.After the establishment of the Yuan dynasty,one of the most talked about topic is joining in the Shangdutour.Studies onpoets and their works of joining in theShangdutour have been done since the beginning of the Yuan dynasty.The fourth chapter,from the perspective of the blending of Mongolian and Han literature,reexamines the two capitals tour within the Yuan dynasty " Mongolian and Han binary" system to discover the new cultural connotation of this type of poetry.It mainly discusses the Yuan dynasty poetry 's thinking of the meaning of the two capitals tour,description of the post road situation,chantsat royal baguette held by Yuan emperors in Shangdu during the tour and so on.As an important part of national culture,the folk culture emerges,develops and evolves in a specific ethnic group.It is the basic force to regulate the behavior,language and psychology of a regional ethnic group.The establishment of the Mongolian regime,especially the implementation of the two capitals tour system,brought the back stage Mongolian to the front stage,and grassland folkculture began to receive the attention from poets.The fifth chapter extends the research through studying the Yuan dynasty poetry from the perspectives of the grassland folkwriting,new change of the content of grassland folk poetry and Mongolian language in grassland folk poetry.In the past 100 years,Mongolian ruling group ended the division since the Five Dynasties and Ten States through the war and unified the North and South and entered a unified period once again in Chinese history.Song,Jin,Yuan dynastyliterati witnessed the historic fact that theYuan regime ended the division through the war and unified the North and South,and created numerous Sangluan poetry.The sixth chapter,based on previous studies,focuses on the literati living in Jin-Yuan and Southern Song-Yuan,takes their Sangluan poetries as the object of study,which recorded the turmoil and continuous war time,and traumatic and conflicted souls to study the writing on broken homes and suffered lives,and examine poets' thoughts toward the war,comments of the war parties,and praises of the Mongolian rulers'accepting benevolencethought and generous and pathetique style.The history of the formation of the Chinese nation,is actually a history of cultural exchange and integration among different ethnic groups.The role of poetry in the formation of this history is unique,which is cannot be compared with political,economic,military and other means of communication.The study of the blending of Mongolian and Han poetry is not only of academic significance,but also of practical significance.It can provide a paradigm for the study of the cultural and literature exchange between the Han nation and other ethnic groups.