Research Of Li Gonglin's Painting

As the Northern Song Dynasty literati painting in the field of master,Li Gonglin had his own particularity.On the one hand,he was a member of the Yuanyouwang Group,which was led by Su Shi,and thus fully accepted the scholarly aesthetic concept of the literati class,and his artistic activities also showed a clear scholar mentality.On the other hand,Li Gonglin also had the extraordinary skills of other literati painters and practitioners.This talent also made his works cover many categories of Chinese painting,and no one is fine.His original "white sketch" style,it was to open up a new form of Chinese painting art.But he wrapped the text of the aesthetic sense of the air,but also made his paintings were not general "vulgar" comparable,but also with the body painter had a clear distance.These specialities were focused together,so that the study of Li Gonglin attached a lot of special value.This article combined the literature and social context of the Song Dynasty,through a wide range of literature analysis and image comparison,to systematically tease Li Gonglin's Confucianism and Buddhism under different cultural mentality mapping works.The origin of Confucianism and the depth of artistic practice,shaping the Li Gonglin "proper way" artistic form of theology,the article would be combined with Su Shi,Mi Fu and others literati painting concept of theology,Li Gonglin pommel horse painting in the show Literati quality re-interpretation.Paddle horse painting is an important painting in Chinese painting theme,Li Gonglin's horse,regardless of the wind Fengshen,spiritual quality and social function compared with the previous generation have seen great changes.For example,in the "five horse painting",the horses were no longer just as mounts,hunting tools and artifacts to show the vassal,but were given a separate aesthetic connotation,rose to the screen of the aesthetic subject exists,which reflected the Li Gonglin's mature--The aesthetic experience of the literati,and the recognition of the aesthetic features of objective objects.It was an important way to express the emotional expression of Li Gonglin,and it was also the purpose of his artistic practice.The article would elaborate the poetic aesthetic manifestation in the painting of Li Gonglin by the teasing of the historical origination of the blend of poetry and painting.There is no doubt that poetry and painting in the aesthetic between the similar to stimulate and touch,led the literati painter on the spirit of the Chinese painting a high degree of knowledge,but also gave the scholar painting unique aesthetic vitality.As Su Shi said,"poetry and painting of all,nature and fresh",plain natural and elegant and elegant poetic quality,ran through the form and content of Li Gonglin painting.He set up the white painting form,not only highlighted his new aesthetic paradigm of exploration,but also highlighted the plain aesthetic poetry.In addition,the portrait of the monastery based on the monastery of the long wall bill begins to be transformed into the form of the scroll.Scroll form of painting,more suitable for literati "emotional" expression.His "dragon sleep" Luohan painting and a series of religious themes painting,showing a secular aesthetic taste,but also easier to meet the literati self-entertainment,self-appreciation aesthetic psychology,which was Li Gonglin painting poetic commentary burst,reflected his aesthetic needs to achieve their own spirit beyond.In addition to pay attention to the conveyance of the aesthetic appreciation of the literati,Li Gonglin was also quite the heart of the world."Free helpless" was an important example,which reflected his broad artistic vision and strong social consciousness.In the end,Li Gonglin's transmission was an important painting continuation and inheritance in the history of Chinese aesthetics.This paper would systematically sort out the characteristics and evolution of Song,Yuan,Ming and Qing in different historical periods and Li Gonglin's painting.In the macro to clarify the historical value of Li Gonglin painting.