Study On Huang Binhong’s Folk Learning Of Traditional Chinese Painting

Huang Binhong has clearly defined the aesthetic orientation of two different cultural forms in the past and present in "folk learning" category.One form is purpose-oriented art,man-made product.Another isnature-oriented art,a natural product."Irregular" folk art is representative of the modern direction of Chinese painting.From the perspective of art,Huang Binhong put forward the "Chinese painting theory",and stressed that the representative of the Chinese nation,is derived from the folk,"folk" art.Its development and improvement must be promoted by new intellectuals with traditional moral qualities."The development of Chinese painting" can really improve the people’s social life and gain steady development in the political and economic fields.Based on this position,Huang Binhong established his own art history.It is based on the Chinese elite’s improvement advocates of local culture,not exactly the same as the new cultural movement under the influence of the "popular" art trend.This kind of art history has the characteristics of rich traditional people’s political orientation and distinctive cultural concept of "public intellectuals" in the 20 th century,emphasizing that the study of national art from folk is the internal driving force of Chinese culture development.This art history emphasizes the artistic standards of "inner beauty and the nature",emphasizing the great cultural value implied by human visual art and the reunification of "Nature and Technology".It is not only beyond the feudal "literati painting" view of the history of the elite value system,but also beyond the "new and old","Chinese and West",which has tangled Chinese artists over a hundred years,out of the simple "west to new,new to the new" logical thinking;it allows us to re-understand the vitality of traditional Chinese painting.This kind of art history discerns the aesthetic distinction between classicalism and modernism,and emphasizes that the "disagreement" art which is derived from "nature" pursued by "learning for itself" should belong to the category of modern art.Its significance goes beyond the narrow nationalism and cynicism,emphasizing the national standpoint.On the basis of this theory,Huang Binhong explores the new system of Chinese painting under the guidance of "visual psychology" through years of deep drawing,and realizes the innovation and creation of Chinese painting language,breaking the old model.Giving the traditional model new features,not only solve the transformation problem from tradition to modern transformation,but also establish a complete system of painting vocabulary,creating a new milestone in the history of Chinese landscape painting since modern times.This paper attempts to find out the contemporary knowledge structure of Chinese landscape painting in the background of the new century,through the excavation of Huang Binhong’s landscape system under the background of the development of the world’s democratic culture and scientism in the 20 th century,and hope to promote the new development of Chinese landscape painting,to achieve the dream of cultural power.