Research On The Evolution Of Liu Song's Poetry Style In The Southern Dynasties——From The Perspective Of Literary Interaction Activities

Liu-Song literature is in the middle of the stage of self-conscious period of literature in the Wei-Jin and Southern-Northern dynasties,and the pivotal role as a link between past and future.For a long time,the scholars have more paid close attention to the Yuan-jia poems and the key writers as Xie Lingyun,Bao Zhao etc,or stutied generally it in the Southern Dynasties,the Wei-Jin and Southern-Northern dynasties and the Medieval Literature.The Lecture Notes Of The Chinese Medieval Literary History of Liu Shipei pointed out the development of the Liu-song poems is because of the advocations of the leaders.This conclusion hits the key to the development of the Liu-Song poetries.But Liu Shipei described generally it,and didn't relate and analyze to the specific circumstance of Liu-Song poetries.The association with the poems is the important feature of Liu-Song poetries,but ancient and modern academic circles insufficiently attached importance to it,so there are great spaces to explore still it.This paper intends to make a comprehensive study of Liu Song's poetry from the perspective of the communication of scholars,and show the development of poetry in the context of communication activities.This paper has three mentalities:the first is bearing the point of view by Liu Shipei advocated——the advocations of the leaders,combing the leaders to how to guide and promote the development of poetry as the key link of the literary activities of the main emperor and the literati,focusing on the reasons,methods and means to spread,striving to reflect the objective situation of Liu Song's Poetry;the second is analysising the evolution of Liu Song's Poetry in the dynamic communication activities,refracting the pivotal role to initiate the contacts,organize the communications,form the literary groups;Third is studying on the activities and works about Liu Yu,Liu Yilong,Liu Jun,Liu Yu etc.emperor and the Xie family in the poetic style,exploring the guiding ideology and style oriented function of their poetry activities.In the first chapter,the author analyzes the background of the communication poetry of Liu Song's communicative Poetry from two aspects.The first one is the theoretical mechanism of communicative Poetry,so poeticizing tradition and poem's social function of Poetics;The second one is the age of environmental of Liu Song's bookmans living in,including by the wise gradually fatuous political rule,a family of commoners and scholars get into an career opportunities,the prosperous economic life,Confucianism,Buddhism and Taoism exchanging violently,etc.These are the important factors of the thoughts and deeds of scholars.In the second chapter,the author discusses the meaning of "Wu-yi zhi You of Xie"in the beginning of Yi-xi.This is the beginning of metaphysical poetry style transformation.In the late period of Eastern Jin,there is immersed in the predicament on the metaphysical poetry development.The occasion of Jin and Song Dynasties,againsting metaphysics is more and more voices.Yin Zhongwen,Liu Yi,etc.are among the best,but "Wu-yi zhi You" that organizing by Xie Hun being include in Xie Zhan,Xie Lingyun,Xie Hui,Xie Hongwei etc.sub nephews,adopts gather together taking a literal set,and forms a poem of temperament from the theory of poetry to the practice of writing."Wu-yi zhi You" is mass literary activities,and great effect to ransformation of metaphysical poetry,start as metaphysical poetry transformation.The power of the clan is limited,so "Wu-yi zhi You" didn't fundamentally change the mainstream thinking,even using confucianism instead of metaphysics.Mysterious poetic style impossiblely accomplished at one stroke to transform,and need a process.In the third chapter,the author thinks that the Duke Song Liu Yu assembled to write the poems on the Xi Ma Tai in the late of Yi Xi period was a sign as the Mysterious poetic style changement.Liu Yu was a typical example of in giving priority to Confucianism,both intelligent and courageous,and positive promising.In the twenty years from the Yi Xi to Yong Chu period,general mood of society occured to qualitative change,Saxophone trended from idle talk about a profound theory to concern of the nation,poetic style also happened to fundamental change from paying attention to the nature and life to writing country feelings.He was fond of literary content,often formed to get together for dinner and poetry activities.The country feelings that was advanced by political power was the primary coverage of the poems during this period,and became a common practice which prevails throughout.In the fourth chapter,the author discussed that thirty years is a diversified development period of Yuan-jia Poetry,mainly had the banquet and poetry activities in the capital of a country that was headed by the Emperor,the "four literary friends" will poem with Xie Lingyun as the center,Liu Yiqing's literary group activities.Liu Yilong's banquet and poetry activities mainly concerned national affairs,thought highly of allusions,righteous and concrete.The "four literary friends" will poem with Xie Lingyun was main Landscape Poetry,moist and beautiful,became the object pursued by scholars.Liu Yiqing's literary group was importantly on amour and natural scenery,amour poem learned folk songs,short and vivid,scenery poems mellow and full and lovable,fresh and natural.Liu Yilong was an emperor who was dominated by Confucianism,and known well Taoism and Buddhism,breadth of mind broad,many ideologies coexisted,poetic style diversification,a thriving school.In the fifth chapter,the author related and analyzed the status that Xiao Wu emperor Liu Jun dine together and trip poetry.During this period,the poetic style tended to the gorgeous.Liu Jun was half a right and wrong kaiser.He pursued the preparation of music system,fairly treated the folk music and court music,and lead the literati to learn skills folk song;and intercalated Qing-tai Ling,specially palmed the songs.Liu Jun was fond of gathering and writing Banquet Poetry,and loved to reward and promote ministers because of aptitude for writing,versification sought the gorgeousness.The poems that the writers around him such as Bao Zhao,Tang Huixiu,Xie Zhuang and other poets writed,were more gorgeous.In the sixth chapter,the author discussed the status that Ming Emperor Liu Yu dine together and trip poetry.During this period,the poetic style followed close behind Daming's the gorgeous poem,but the poets' literary talent were shortage,so the poems were multicolour and lacking temperament and interest.In last years of Tai Shi Dynasty,Jiang Yan's poems were very be fond of the bookmen,the poetic style turned to the bright and beautiful.Liu Yu was fond of gathering and writing Banquet Poetry,his poems studied more the solf songs,colors was more and force of personality was very weak.Liu Yu was suspicious,jealous and cruel,too many taboos,and a person who is against the rules was severe penalties,nothing more than a literary inquisition.In this case,Banquet Poetry is very difficult to describe the real feelings,the development of poetry has been hit hard.Jiang Yan with his colorful poetry,meeting in Liu Jingsu and Xiao Daocheng,were known in the late Liu Song Dynasty,blew into a fresh tmosphere towards the rigid poetry.Preliminary summary of the thesis.This paper briefly summarizes the factors of the development of Liu Song's poetry,and briefly describes the value of the literature communicative activities during the evolution of the poet type,and concludes the main writers of the evolution of the poet type.