A Study On The Evolution Of The Literary Answer Poems In The Southern Dynasty

This This paper chooses scholars' poems of donation and reply in Southern Dynasty(420-589)Song,Qiliang and Chen.There are 87 poets involved,413 poems.This paper makes an exhaustive analysis of all the poems written by scholars in the Southern Dynasty.The number of research objects is the largest in the history.The purpose of this paper is to explore the overall appearance and partial expression of the poems presented by scholars in different periods of the Southern Dynasty.This paper abandons the traditional method of macro-research,which regards the donated poems of scholars in the Southern Dynasty as a whole.Instead,it focuses on the analysis of important writers and their works in each period,and takes into account the general writers and their works.Research innovation is embodied in the concrete analysis of a writer's works,first classifying them according to the object of donation and reply,then examining the specific content of the writer's life,friendship and year of writing,then carefully analyzing the content of poetry and its creation methods,and finally discussing its artistic style and literary status.On the basis of comprehensive analysis of the important writers and works in different periods of the Southern Dynasty,this paper holds that in the Southern Dynasty,scholars' poems of donation and reply follow the carrier of "expressing their will" and "expressing their feelings" to the literalization of donation and reply poems in the court and then to the new changes in art,and begin to pay attention to the continuous development of the clue of the real society.The structure of the paper is divided into three parts:introduction,main body and conclusion.The main body is divided into four chapters.The specific contents are as follows:The introduction part points out the reasons why the thesis is put forward,the basis of the text composition,and the summary of previous studies on this issue.The first chapter studies the poems written by scholars in the Liu and Song Dynasties,choosing the poems written by the three great poets of Yuan and Jia,namely Xie Lingyun,Bao Zhao,Yan Yanzhi and other poets in the Liu and Song Dynasties as the research objects,analyzing and pointing out the artistic characteristics of the poems created by these three poets and other poets.The second chapter studies the donation poems of scholars in the Qi and Liang Dynasties,choosing the donation poems of Xie Tiao,the representative poet of Yongming Style,He Xun,Wu Jun and other poets in the Qi and Liang Dynasties as the research objects,analyzing and pointing out the artistic characteristics of the donation poems of these three poets and other poets.Chapter three studies the poems given by scholars in the Chen Dynasty.The state of Chen Dynasty is immortal.Compared with Qi and Liang Dynasties,the literary creation has declined a lot,and the number of writers and works is not large.This chapter chooses three poets Jiang Zong,Yin Keng,Zhang Zhengjian and other poets of Chen Dynasty as the research objects,and analyses and points out the artistic characteristics of these three poets and other poets' poems.Chapter four synthetically refines the evolution process of the Southern Dynasty scholars' gift-and-answer poems in the writing subject art,and concretely analyses the new changes of the Southern Dynasty scholars' gift-and-answer poems in the writing subject matter art and the evolution law of the artistic characteristics.In the conclusion,based on the analysis of the evolution of the first three chapters and the macro-induction of the fourth chapter,the author summarizes the evolution of the theme and artistic characteristicsof the donated poems of the scholars in the Southern Dynasty,and summarizes the evolution process of the ideological theme and artistic characteristics of the donated poems of the scholars in the Southern Dynasty.It also holds that the writing of traditional literary history holds that the poetry style of the Southern Dynasty is absolute,and that only after the analysis of specific works can we draw a conclusion about the literary style of the dynasty.