The Research Of Yongwu Poetry In The Late-Tang Dynasty

Yongwu Poetry is an important category of classical poetry.On the characteristics of subject matter,it is centering on the object of aesthetic,can neither reflect the wide and deep social content,also hard to carry the profound emotion,so it has not been investigated sufficiently.However,If we can choose a typical period of time from the history of poetry,fully excavate its artistic characteristic and humanities color from aspects of aesthetic,poetic,culture,art,philosophy and so on,then the research is certain to bear significance.The late-Tang dynasty is such a period of time.It is a thriving period of Yongwu Poetry.From the view of the history of poetic development,it has entered the summary period,and it inherit past traditions and break new grounds for the future.It is necessary to investigate the origin of Yongwu Poetry from the aesthetic embryology angle.Poems consciousness initiation in the background of farming cultural,which has gradually possess aesthetic nature from the religious expression of totem,such as birds,fish,trees,and so on.The cognitive mental,plant-based phase sense concept of lenovo and reasonable interpretation of objective image in the traditional phenomenological thinking has given rise to poems describing objects,in accordance with the traditional technique of micro proposed and promoted the consciousness to further deepen.Confucian moral rational ideas of external things.make virtue ethics consciousness of poems of new source;while Taoism self-denial shun,advocate return nature,for the object of aesthetic provides a way of poetic expression.Yongwu Poetry focuses on the language expression about formal beauty.Tracking poems form as a clue we can see,it is widely into all kinds of verse,and it shows the characteristics of different forms with the evolution from the pre-Qin period to the various periods in the Tang dynasty,and "for the system" in the Six dynasties,"good at its beauty" in the Tang dynasty.Compared with the exploration of formal beauty in Yongwu Poetry in the Six dynasties,the late-Tang poems more focus on the integration of form and emotion.Follow the systematicness and gradation of the language form of poetry,we can introduce the three concepts of "sound pattern","shape pattern" and "affective pattern",which are put forward by Liu Xie,and analyze the language art of poetry thoroughly from three aspects of phonology,rhetoric constructed and emotional connotation."Sound pattern" appeal to people's hearing;"shape pattern"to the person's vision;while "affective pattern" points to one of deep perception and emotion.The unity of the three,reflected the literary view of the poets in the late-Tang dynasty combining formal beauty and intrinsic beauty.The understanding and practice about the time poetic ideas of the poets in the late-Tang dynasty is one of the important reasons about poetry flourish.The poetic form theory is particularly prevalent in the late-Tang dynasty,the author emphasis on the meaning of "both inside and outside "in poetry,which is correspond with creations tendency of Yongwu Poetry of the time.There are roughly two ways to achieve,one is through the design methodology of imagery;the other is through writing techniques.In addition,the "poems have types of images "is also have similarities with the stylized character of poetry.Some of the poets at the time have double identity,they are both poetry and the author,such as Qi Ji,Xu Yin etc.From their Yongwu poetry,we can good to see the interaction with creation and the theory.It is noteworthy that some of the poets study the style of the Qi-Liang dynasty.and toward the poetic tradition of description deliberately,construct form cleverly,use color brightly,even take advantage of description to express erotic feeling.Due to the influence of times environment,the poets in the late-Tang dynasty have deep emotional ties with the past and hermit,are keen to memorial the ancients,glides gracefully nymphs way settled in body and mind.So,a variety of ancient garden scenery often become the expressive carrier of poets,with the forms of poetry,and then caused the commonality of the Yongwu Poetry,Nostalgic Poetry and Garden Poetry in the aspects of subject content and aesthetic consciousness.And also,the Yongwu Poetry has intimate connections with Song poetry,it play an important role on the interaction process of the Tang and Song poetry.War frequently happen during the period of the Late-tang dynasty,a large number of poets gathered in the ssummary outh for the reasons of refuge,disgraced,into the tent of meeting,social intercourse and so on,which caused the passage of poetry creation center to the south.The unique geographical features and cultural environment factors of the south,such as Jiangnan,Jingxiang,Bashu,provide creation with unique aesthetic meaning and cultural connotation,and also has manifested the potential of poetic culture spirit.From the perspective of financing of poetry and painting,flower-and-bird painting independently and the Yongwu Poetry flourishing are bring out the best in each other.Flower-and-bird paintings and poetry not only has the common features in content,but also in techniques and artistic conception level,especially fold branch pay attention to the layout of composition and color,those aesthetic characteristics were used in the Odes to Flowers,forming the aesthetic paradigm of the musing of poem and drawing in the Tang dynasty.Confucianism,Taoism and Zen thought constructed the philosophy foundation of the poets in the late-Tang dynasty.As ideological and cultural background,those ideas greatly affected the emotional expression,the poetry-conception and the aesthetic purport of the Yongwu Poetry at the time.In general,the kindheartedness and strength of irony in poetry come from Confucius' benevolence thought and suffering consciousness;quiet and gorgeous poetic realm are connected with Taoist practices,religious contemplation and consciousness of women worship;and empty view and solemn reason in poetry are associated with Zen thought.