Study On He Qi-Fang’s Poetry And The Late Tang Dynasty Poetic Style

He Qifang (1912-1977) is known as the "dream drawing poet", "Han poetry as the representative Park", "prophecy". He Qifang in today’s poetry has been sending out dazzling brilliance, in academia is the focus of exploration and research, most of the scholars in the direction of his life circumstances, development thought, art and politics, personal speech and the speech of the mainstream, "He Qifang phenomenon" study, since the beginning of the new century science circles for the ideological content and artistic style of the works of different periods were compared to explore, even writing stage of contact comparative study. He Qifang as a screenshot of the late Tang Dynasty classical charm of wind and western modern aesthetic implication of modern poets, left us the illusion of Chinese and Western like Yizhenyihuan poetic masterpiece, so study the aesthetic character of "dream drawing poet" and Chinese classical aesthetic characteristics of links become most important discussion. The trace from the theory of poetic style in the late Tang Dynasty hands, again from sentiment, poetic expression, image point of view to explore the inheritance of He Qifang on the poetry in the late Tang Dynasty, finally from the wilderness color, montage and modern structure point of view about the style of late Tang re release, so as to explain the enduring artistic vitality.Characterization of poetic thinking, would turn brilliant brilliant is the first chapter is the theoretical origin of "poetry of the late Tang Dynasty wind", the first interpretation of "poetry of the late Tang Dynasty wind"features:poets in the late Tang Dynasty faced with fading, looking back on the past, in the material aspect, have the courage to pick up the shortcoming of singing, to the regret of the aria, the successful profit no longer is the only aesthetic object, the subject will be eyes on the beauty of tragedy; on the writing style, the poet by external bold inner convergence implicit gurgling springs into the delicate feelings, with the aesthetic object will flash and fixed with delicate outline, delicate, showing the five flavours miscellaneous Chen of the inner state. Followed by the introduction of ancient poetry in the late Tang Dynasty poetry view. Finally, the modern poets and scholars for the poetry of late Tang Dynasty "hot"evaluation and discussion and modern poetry for reference of Tang poetry.The second chapter is the analysis of his poem "to accept the style of late Tang". Includes three aspects of content:The first is the sentimental sentiment. Respectively from the angle of sadness of femininity, secular thinking that sad, lonely self whisper to explain He Qifang’s poem sentimental murmur and poetry in the late Tang Dynasty. Two is the poetic expression of aesthetic. Respectively from the perspective of poetic narrative gentle subtle, elegant neat form, Qi Yan faint to explore poetry in lyric poetry in He Qifang’s trance blurred images, such as smoke and mirrors the misty poetry environment for reference of Tang poetry. Three is the traditional influence of image. Respectively from lonely incomplete image shape, the illusion of hazy beauty, color image in the cold tone to describe He Qifang’s images in Tang poetry images of reference and use.The third chapter is to find his poem for "late Tang Dynasty""re release. Also includes three aspects of content:One is the color of the wilderness. Respectively from the perspective of wasteland image presentation, the wild world of defamiliarization, wasteland consciousness of intellectual thinking to explore poet by Eliot’s influence in late formed wasteland consciousness, began to escape from self pity of the late Tang Dynasty, poetry from perceptual to rational transition. Two is the visual image montage. Respectively from the image narrative of stream of consciousness, lens conflict in visual impact, lyrical montage of volatility perspective that poet is influenced by modern poetry writing and poetry in the fusion of Chinese and Western implicitly meaningful. Three is the modernity of the poetry structure. Respectively from three angles of the dialogue structure of the image, and describe the tendency of narrative, poetry rhythm of modern to show poetry modernity. Modernity is mainly embodied in the poetry description skills and deep meaning of two aspects, he presented in the poetry of history and reality and examines the modern mind exploration and development in the future expectations are He Qifang break the traditional world of spiritual self barriers into the modern vision of the re release process.