On The Study Of Zhenyuan Parnassus

Zhenyuan is Tang dynasty 's title reign of Tang Dezong Lishi,from AD 785 years to AD 805 years,Zhenyuan Parnassus' study mainly focus on poet,poems and poetry in Zhenyuan period.It is worth noting that only 20 years after Zhenyuan,"Tang Dynasty historical Supplement" written by Li Zhao records: "Tianbao advocated the union,Dali advocated the frivolous,Zhenyuan advocated the unbound and Yuanhe advocated the weird." It is clear that the unbound can summarize the poetry style of Zhenyuan period which is commonly treated as a separate phase.Based on Li Zhao's comments and specific background,the research explores literary creation and literary evolution in Zhenyuan period,then,makes accurate assessment for Zhenyuan Parnassus.In addition to "Introduction",the paper includes six chapters.The first chapter introduces the background and creation pattern in Zhenyuan Parnassus.With the gradual economic recovery,the hopeful political pattern and alive cultural environment,the poets in every ages felt different current factors,and wrote special poems in the particular era.The second chapter analyzes Jiangnan poets' literary creation in Dezong period,they passed through Dali to Zhenyuan,represented by Wei Yingwu,Gu Kuang and Jiao Ran.In new living environment,they were touched by new ideology and formed new literary style.Wei Yingwu focused on social reality,Gu Kuang,Jiao Ran,Che Ling et al tended to be weird,which betrayed the style of Dali Parnassus but also provided a new path to Zhenyuan Parnassus.As representatives of poets passing through Dali to Zhenyuan,Li Yi and Lu Lun created Frontier Poetry seperatedly.Compared with Frontier Poems in the early Tang and the flourishing Tang,Frontier Poems in Dezong period focused on the content of country fate,adherents psychology,and the desire to retake lost territory.Poetry style changed the romantic to the realism,replaced positive style with gloomy desolation style.The above is the main content of the third chapter.The fourth chapter studies mainly the literary creation of Taige poets and Meng Jiao,Ouyang Zhan in Zhenyuan period.On the basis of introducing Taige poets and Tang Dezong,the paper analyzes and evaluates their entertaining poems particularly.Meng Jiao,Ouyang Zhan both failed in official career in Zhenyuan era,their poems recorded individual tragic life and career,expressed the style of real emotion and real society,all of which influenced Yuanhe literature lately.The fifth chapter analyzes the literary creation of Han Yu,Zhang Ji,Wang Jian,Yuan Zhen,Bai Juyi and Liu Yuxi as the youth group in Zhenyuan Period.They restored ancient way in poetic idea,emphasized on the poetic emotion and entertainment,described social reality and personal experience.All of these ideas and practices made their poems to be unique,but also effected their further innovation in Yuanhe period.The sixth chapter studies the evolution track of Zhenyuan Parnassus' three poets groups and the topic of "Zhenyuan adovated the unbound".Three groups of poets focused on the reality in poetry theme,wrote more ancient style poetry gradually,showed a trend of diversification and gradual change.The unbound,as Li Zhao said in creating style,means out of the normal and contains.From the side of specific content,the poetry concerns current affairs,public distress,cynical,but also expresses grievances,unrestrained wild ideas,pompous speak.From the other side of artist style,the potery presents various aspects,eapecially the weird and the vulgar.On the diachronic value,Zhenyuan Parnassus is not only the foundation of Yuanhe Parnassus,and also provide some new variants of the path to the further development of poetry in the Late Tang and the Song Dynasty.On the synchronic value,Zhenyuan poetry is unique itself indeed.Zhenyuan period is so rich in literary treasures,worth more cultural studies.