Research On The Fusion Of "Hu Hua" And Han Hu In Ancient Chinese Design

China has been composed of many ethnic groups since ancient times.In the process of changing dynasties and ethnic contacts,different cultures have produced new artistic styles.In the study of Chinese history,in the study of minority culture,the research on the content of ‘Sinicization' is quite fruitful,but the research on ‘Hu Hua' is relatively small.In the perspective of global history,‘Sinicization' is the main theme of historical development,but ‘Hu Hua' can not be ignored,or ‘assimilation' is more appropriate.As a foreign culture,it has had a great influence on the development and progress of Chinese history and society,such as Hu Fu,Hu food,Hu Le,Hu dance,Hu Qi and so on are the important parts of Chinese culture.A comprehensive study of ‘Sinicization' and ‘Hu Hua' can more objectively reflect the pattern and characteristics of Chinese culture's integration and integrationThe so-called "Hu and the Han" is not an independent two national concept,but in the process of history continuous influence,merger,integration,development,in the process of the development of the formation of a new cultural system or cultural features,can not simply evaluate the dross.As a matter of fact,there is no difference between the two,but only in different historical periods.This paper,based on the perspective of cultural research,takes the frontier art and culture in ancient Chinese design as the main research content,and studies the frontier cultural and artistic phenomena during the period of the spring and autumn and Warring States period,the period of the Wei Jin,the northern and Southern Dynasties,the Tang and the Yuan Dynasty in the four periods of cultural integration,from the political pattern,the ideological environment and the frontier art.The influence of these cultural phenomena on the material culture and social life is discussed,which reflects the acceptance of the customs to these frontier cultures,and the pursuit of these frontier cultures in the face of the worship of the border culture and the angle of utilitarian demand.