A Study Of Aesthetic Intuition And The Possibilities Of Approaching The Metaphysical Meaning Of Music

What the dissertation mainly explores is the possibilities of approaching the metaphysical meaning of music by aesthetic intuition through the subject in the process of receiving it.The purpose of its research is to show the important role of aesthetic intuition in the process of obtaining musical meaning through reflecting on the concept and configuration of aesthetic intuition,rationally defining the metaphysical meaning of music,and exploring the relationship between aesthetic intuition and sound meaning based on the two premises.The specific problems involved in the topic include what is the specific way of aesthetic intuition?How does it come into being and be promoted?And where can it get to?What are the categories of musical meaning?Where is the metaphysical meaning of music?How does it exist and approach?Therefore,this paper will draw lessons from the architectural method of the bridge construction,first carries on the thorough research to the two ends of "aesthetic intuition" and "the musical meaning",next,it will gradually seek to connect with each other,and the possibilities of aesthetic intuition approaching the metaphysical meaning of music is further considered in the style and form of aesthetic intuition and musical meaning.According to this way of thinking,on the one hand,the author attempts to urge us to grasp the concept of "aesthetic intuition" in a more comprehensive way,and clarify the context,categories and objects it can touch bythe "source of the concept"(transcendental or empirical),"configuration conjecture(the relationship among intuition and synesthesia and imagination)," as well as the exploration and clarification of "change push"(aesthetic intuition)and other plates from the perspective of macro intuition,which are in line with the previous studies.On the other hand,the author will make use of the rich achievements of the existing researches on musical meaning at home and abroad,combining with the examples of specific musical works,to divide the musical meaning into five layers,namely:1F,the content meaning of music symbol;2F,the emotional content meaning under the symbol acoustics;3F,the content meaning of audio description;4F,additional content meaning;4.5F,the content meaning of ultimate profoundness(relative truth).On the basis of this,we think about the existence mode of metaphysical meaning layer(4.5F)and the way to get closer to it,and summarize the possibilities of the connection of aesthetic intuition to it.Through the exploration and argumentation of the above links,we can gradually clarify the above problems.First,aesthetic intuition is the innate "thought" of sensibility and rationality,which can enable the subject to obtain the basic emotional experience directly in the face of aesthetic object,but also can make us understand the rich image,artistic conception,and even profound philosophy.Second,aesthetic intuition is the collection of aesthetic attention,artistic imagination and aesthetic judgment,and it is the guarantee of the generation and promotion of aesthetic intuition.Third,the metaphysical meaning of music belongs to the existing world,but it must live in the real world in the form of "the unity of miscellaneous and diversity".After demonstrating the opposite path between aesthetic intuition and musical meaning,what this paper concludes is that aesthetic intuition is one of the indispensable basic ways to approach the metaphysical meaning of music in the category of empirical argumentation.In the category of transcendental argumentation,aesthetic intuition is the quickest way to approach the metaphysical meaning of music.