The Evolution Of Film Music In New China

Since the film soundtrack was produced,movie music has become the organic composition of movie art.It plays an important role in the expressiveness of the movie.The independent and inseparable relationship between music and picture determines the final art of the movie effect.The various roles played by film music in traditional films have been widely discussed by the academic circles.However,the study of the music in the film with the New China as a time dimension lacks systematic and in-depth study both in the music and movie fields Unfolding.Since its founding,New China has undergone nearly 70 years of development.Under the influence of various subject theories and cultural and artistic trends,there have been many new developments in the music in the film,with continuous improvements in ontological functions,cultural connotations and value pursuits Present new features.Based on the theoretical analysis of film music's physical function,psychological function and structure function,this paper analyzes the film music's morphological characteristics in different periods according to the time line in order to find that the movie music is accompanied by the continuous development of new China The new development and new pursuit presented.This article is divided into six parts.The introduction,the author establishes many factors involved in this article,including the definition of the object of study,clearly states that this article will focus on analyzing film music in the New China period,and at the same time,retrospectively review and summarize the theses related to the thesis.The first chapter puts forward the audio-visual ontology,analyzes the ontological function,cultural connotation and value pursuit of the film music,and demonstrates the relationship between it and the film's artistic expression,which lays a theoretical foundation for the systematic analysis of the later.From the third chapter to the sixth chapter respectively discuss the ontology function,cultural connotation and value pursuit of movie music in different periods according to the timeline respectively,and think that from the beginning of the founding of New China to the contemporary era,movie music has gone through the classic construction,Literary highlights,complex "marketization" and the fragmentation behind the four stages.The last part is the conclusion,the discussion of the various parts of this article are summarized and summarized.The author attempts to analyze the different characteristics of the new Chinese film music in different periods through interdisciplinary studies of music,literature,film and sociology,and explore the reasons for the formation of the features.This study is not intended to provide a comprehensive description of all the details of the development of film and television in New China.It is not intended to be a mere historical chronicle of events.Instead,it is hoped that the production system of film and movie music,the author's definition and the aesthetic evolution of music itself,The ideology,cultural thoughts,markets and movies behind it are defined as an evolutionary state behind the changes,so as to form an exploration of the spiritual history of the new Chinese film music.The development of film music is in fact a process of unification with the gradual development and maturity of film art.With the continuous development of Chinese film culture in the new era,we believe there will be more and more innovative films and music in China and the world.Altar appears.