Criticism Of Literary Production In The Media Age

China is a mediatized society in21st century.Internet and mobile phones and other new media play an increasingly important role in the dailylife,also changing the cultural environment.The new media brings cornvenience for writing,also has brought serious challenges.The voice of "The end of literature" is more aloud.What kind of impact of the media's influence on society?What changes have taken place in literature?How to evaluate literature status?Where will literature go?These anxiety problems are the starting point of our writing.Introduction is to propose the echo problem,to clarify a detailed study of issues research present,illustrating the research idea,method and meaning.The first chapter is to defy media,mediatized and the mediatized society.Globalization,consumerism,popular culture is formed in the historical context,times context and cultural context of the mediatized society.The explosive growth of new media is an inner motivation of mediatized society.Culture and cultural communication are following the commodity logic and media logic.Social thought and ideological pluralism,to some extent,create an opportunity for the reproduction of literature.This chapter comments on the artistic production theory of Marx,Benjamin and Eagleton.Theory of literary production can analysis literary writing and communication,accepting criticism of the whole process in a dynamic way.Literary production is"heteronomy",which is different from the "literary creation" in "self-discipline".The second chapter is to demonstrate the internal nature and external morphological changes in literature.Literary aesthetic properties subsided,giving way to the commodity attributes.The literary aesthetic materialized generalization,increasingly consumer-oriented,performancing for the aesthetic of daily life.The contemporary literature,especially the network literature shows the plane of the characteristics,characterized by a loss of the sense of depth and weakening literariness.But literariness did not perish,along with the image in literary texts;literariness goes into the image,meaning rapidly proliferation,literariness being generalization.The existing form of literature changed."Aura" disappeared."shock effect" strengthened.Image has transformed the traditional literary text,with literature increasing the redundancy,reducing the entropy.The third chapter is to analysis the writer status,role orientation and creative mind.The emergence of new media greatly enhances the productivity of the writer,the traditional writers have lost their platform.Writers are in a marginalized position,losting the mainstream discourse.Great changes have taken place in the writer's state of mind.Writer's group shows greater differentiation,with significant difference between the former media writer and media writer,also the rising of online writers.The writers'mind of the time and space change significantly.In the new media,space disappears,bringing the disappearance of the sense of distance and the depth of emotion,stretching the time pattern rendered as space.Spatial turn is reflected in the pioneering literature.In the creative process,the writers consciously have moved closer to the media logic,to pursuit of pleasure.Distraction have taken places of concentration.Writers are re-tribe,with "the Anxiety of Influence".The star writer has played a role of opinion leaders.In the relations with the media,the writers are inclined to the confluence with the media,which causing the writer self-awareness absence.Writers are uncontrollably in the public domain,which calls for the emergence of public intellectuals in the field.The fourth chapter is to express the phenomenon of literary communication and explore the state of mind of the reader's acceptance.In the information explosion era,literary consumption goes to be diversification,pure literature reading rapid declines,the people to pursue pleasure reading and the reading level is not high.Literature creation,especially the novel,has an image-oriented tendency.The process of novel changed into a film is a gradual process of smoothing individual consciousness.Hits become the driving force of the evaluation criteria of the network in literary production,which has caused a long text structure of the network literature.The low threshold of the network literature is also attracting more and more people to put into writing,but the quality of the work is not high.The fifth chapter is to explore literary production mechanism,as well as literary criticism variation and the challenges facing.The traditional literary production mechanism is crumbling and youth literature,popular books,network literature,private publishing books has been prosperity.Writing follows the trend of writing into the tide and the type of work one after another.Literary Criticism boundaries has became increasingly blurred,with extreme expansion of literary criticism and criticism field fierce struggle.It calls for the emergence of a new literary criticism standard.Conclusion is to conclude the paper,echoing the initial article the issues raised.Technology is an important driving force for social progress,the emergence of new technologies promotes the media field changes,and these changes have caused the literary production of the crisis.There have been changes in the external form and internal nature of the literature,but the literature does not be end.Literature is a matter of significance relating to the feelings,concerning the language relating to the aesthetics.As long as people'sfeelings does not dissipate,the pursuit of meaningful desire does not go away,the aesthetic ability does not disappear,language ability is not the demise,and literature will not be end...