A Study On The Evolution As The Center Of Landscape Painting Patterns The In Song Dynasty

Juran and litang were the representative painters of the two song dynasties,and both of them were active in the transitional period of the change of dynasties.The special time field and their unique life experiences made them became the typical characters in the evolution of the landscape painting style of the two song dynasties.The purpose of this article is to select between the same name paintings named "the pine-soughing valleys map" from Juran and Litang as a case,through the literature textual research,comparative research,image study and the methods of theory with practice,and special social and cultural conditions during this period,so as to reveal the landscape paintings in the north and south song dynasties evolution in a general sense of style and the motivations behind it.The first and second chapters of this paper mainly focus on the study of image records,starting from the form analysis of juran and li tang's two works "ten thousand pine wind",and through the comparison,analysis and synthesis of the relevant works of the same period,respectively outline the common characteristics of the landscape pattern in the northern song and southern song dynasties.Discussion on the level of the third chapter to the image study,emphatically analyzed the social and cultural motivation behind this schema evolution,which is the first two chapters on the landscape painting schema of the two song period respectively,in "the pine-soughing valleys" schema as a typical two song landscape painting schema evolution a specific process,to light the inherent law of evolution of two song dynasties landscape painting style,and trying to a dialectical attitude towards both before and after the song period of the landscape painting style and the difference of aesthetic taste and spiritual temperament,to explore the necessity of the change at the same time,returned to reveal two schemata style internal consistency.The fourth chapter emphasizes the unity of the theory and practice method,to above theoretical analysis combined with the author's own creation experience,discusses the style evolution law for the enlightenment of contemporary Chinese landscape painting in the context of globalization,through the ancient Chinese landscape painting is a case of change itself,a glimpse into the inner rules of its development,attitude towards the traditional the innovation of this paper lies in: on the one hand,the reactivation of the tradition,on the other hand,from the moment the motivation and source of innovation practice.