Evolution Of The Tang Dynasty Landscape Painting Style

Chinese painting as an important category, landscape painting in the Wei Jin Southern and Northern Dynasties period has been sprouting. This period has formed a special theoretical works, such as the first Chinese landscape painting theory of Zong Bing ’s" landscape painting.". In that theory, it clearly put forward the " Saint Tao should matter, Huai Cheng sage taste like"," all things fun into their exquisite",which forming the landscape painting theory system and has affected so far. In" Syria painting", Wang Wei also presented on landscape painting theory:to make the landscape painting and the map function is not the same, just need to break through the" purpose and somewhat, solid see week" physiological limitations. Development to the Sui and Tang Dynasties, national unity and economic prosperity and development to further promote the development of landscape painting. Landscape painting themes than previously had very great progress, aesthetic tastes have been further improved and transformation of landscape painting, figure painting is formed from separate independent painting, techniques and theories in this period add radiance and beauty to each other, and influence each other. The landscape painting in the Tang Dynasty although not in the main position, but in the late Ming Dynasty Tang Zhiqi thinks that:" only the highest painting landscape. Although the character of Flowers and birds and Insects, it is not impossible that the vast, but the end than the landscape of the odor of graceful but not showy." As can be seen, the landscape painting has had considerable attention, also has the certain function.In the Tang Dynasty especially before the middle of Tang Dynasty, politicians governed well, economy and culture has been an unprecedented development, social stability. In this context, landscape painting got great development. Landscape painting as the background in the early Tang Dynasty pavilions, terraces and open halls used in above, until Yan Liben and his son" gradient attached". Early Tang Dynasty affected by former Rhyme, the Taoism especially the fashion of recluse prevalent, which has a great impact on the Tang Dynasty landscape painting. The imperial examination system to further improve, changed the past "good person is free of poor, bad person without clans" situation. Many of the lower scholars have a chance to enter the career. As a result, the fashion of learning is very strong in the social society. This period of the Tang Dynasty reached its height, especially poetry, calligraphy on painting also produced huge effect. All sectors of the community, court painting, literati paintings, folk art into the system, and the mutual influence. In the late of Tang Dynasty, after going through Shi Rebellion, the potential of country decline, style gradually transforms to the hermit, all kinds of professionals comprehensive development of the situation, and this social authentication atmosphere is filled, a series of this effect contributed to the landscape painting in the development of the Tang Dynasty and the change of style, also by continuation of previous green landscape to landscape change with the line, also made of fine boring like toast like lines become clear, crisp style of handwriting with the subjective emotional lines. In addition to aesthetic taste from Seiko, rotten, elegant simplicity, easy to alienate heedlessness change also contributed to the evolution of the landscape painting style.