Exploration On The Film Space-time Concepts Of The Satoshi Kon's Animation Works

The understanding and mastery of the film space-time concept is the most basic and necessary quality for the film practitioner.Film director Yang Chao pointed out that the ability of cutting the film space-time is to be considered the important indicators of professional quality for a film and television creators.However,the study of film space-time design in the film theory has not received enough attention,and in the Chinese film industry,the first people to put this topic on the research agenda is the Professor Wang Liu.He accurately sort out the evolution of the concept of the film space-time,and lists the representative people and works of the various stages.Based on the above background,and considering that the form of the film is changing under the influence of the scientific and technological progress,technological leap,economic development,and changes in the times and other factors.This article is based on the research results of the Professor Wang Liu,and combines the new performance and new features of the film and television works in the contemporary film and television works,then makes a certain degree of analysis and refinement of the new features in the contemporary film theory of the psychological space-time,and a number of opinions that are expected to have a substantive reference to specific creative practices.In the course of the study,the Professor Wang Liu's argument on the way of elaboration: the choice of the most representative of the characters and their representative works for a specific analysis.The paper chooses the animated works of Satoshi Kon 's contemporary animated film as the object of study.The reason is that the animation is good at using the time and space cross to express the character's inner psychological activities and their mental,emotional and subconscious,and a dominant or even the publicity of the audio-visual means to spied on the main characters in the play for its characteristics of images.It not only has produced a huge response in the animation industry,but also the direct impact is quite profound to the real film director(such as Christopher Nolan,Darren Aronofsky,etc.).Satoshi Kon is undoubtedly the most representative practitioners and expanders to open the psychological time and space language in the current film and television creation after master Ingmar Bergman.In this paper,according to the film language of the psychological space-time reflected the different focus in the stages of the Satoshi Kon's slightly short creative trajectory,and then taking the division of its creative context into the three major periods of classification,and make the specific expand analysis:?Magnetic Rose? and ?Perfect Blue? were the early stage of the work,and they were also the initial and formation period in Satoshi Kon's research about the psychological space-time,and in this period,the film language of the psychological space-time mainly focused on the narrative function of the film.These vocabulary reflected that Satoshi Kon inherited and used metaphysics of the traditional psychological space-time language.(Chapter 2)?Millennium Actress? and ?Tokyo Godfathers? were the middle stage of the works,Satoshi Kon separated the vocabulary of the psychological space-time,and the "time,empty" elements were really penetrated into the theme of expression of the interpretation and control of the concept of characters in the film aesthetic level.This stage reflects the Satoshi Kon's shift in the concept of the film space-time in the aesthetic level.(Chapter 3)?Paranoia Agent? and ?Paprika? were the later stage of the works,they were the return and expansion period in Satoshi Kon's research about the psychological space-time.The change in this period of is mainly reflected in three aspects: vocabulary expansion,the description of the psychological space-time biased towards symbolic and The ultimate use of exposure means;The general focus of psychological space-time language from individual to group anxiety;The general idea of psychological space-time further elaborated that Satoshi Kon's cognition and philosophical thinking of the inner order and association between heaven and earth universe and individual.(Chapter 4)...