From Spring And Autumn To Han Dynasty Music Culture Internal And External Communication And Dissemination

More and more archaeological data prove that due to the difference in origin and geography,from the Paleolithic period,Chinese culture has shown diversity,and each culture has its own characteristics in the initial stage of its emergence and development.In the early and middle period of the Neolithic Age,the culture on the Chinese land was colorful and showed a multifaceted face.After the middle of the Neolithic period,with the continuous development of various cultures,the expansion of the region and the migration of the population have become more frequent.The interaction and blending of various cultures has formed the core of the Central Plains culture.As one of the development trends.In the Spring and Autumn Period and the Warring States Period of the "Axis Age","the ritual breaks down the bad" and "the culture moves down",the authority of Zhou Tianzi falls,and the princes gather together to compete for hegemony.The fierce merger war broke the isolated static life pattern,and the situation of “a hundred schools of thought contend” further promoted the multicultural exchange and reorganization.The establishment of the Qin and Han dynasties in the feudal dynasty,with the implementation of the "Books with the same text","same ethics","cars on the same track","degree of the same system",and "the slamming of the hundred families,the unique respect for Confucianism",realized political,economic,The high degree of unity of thought.The music culture of the Spring and Autumn Period and the Warring States Period is characterized by diversified development in the pluralistic political background.There are music culture exchanges in different cultural circles in the horizontal space,and there are many different forms of music culture in each cultural circle.Diversified development,and there is an integration trend of interconnection and integration.The Qin and Han music cultures reflect the diversified development under the background of strong integration of political economy.On the basis of the different types of music and cultural exchanges in different regions of the region,with the opening of the "Silk Road" and the opening of the "Silk Road",Qin and Han are pioneering and enterprising.The inclusive spirit of the times has acted on the outside world through various channels,promoted the exchange and integration with the surrounding national music culture,and opened a new era of Chinese and foreign music and cultural exchanges.This thesis puts the music exchange activities and behaviors from the Spring and Autumn Period to the Han Dynasty in the perspective of the overall development of the national culture as a whole,and places it in the cultural context of this historical period for investigation and analysis,combining literature,archaeological instruments and portraits.And other materials,combined with ethnology,sociology,communication and other knowledge,through the analysis of the fusion of vertical communication and horizontal communication,the combination of intra-domain communication and internal and external communication,combing and analyzing the music culture communication and communication environment and characteristics during this period,Different types and modes of communication,diverse content,concepts of communication,and the use of different media,the results of communication.On this basis,we will further explore the Qin and Han Dynasties from the Spring and Autumn Warring States in the “Axis Age” to the “Great Unification” era.How to exchange and spread music culture in a multi-integrated national landscape,vividly showing the diversity from pluralism to integration The rhythm of diversity.Finally,it further analyzes the implementation of the “One Belt and One Road” strategy in the country,and builds a grand vision for the spread of national culture,studies the formation and development of the pluralistic integration of music culture,and explores the positive significance of the law of communication: not only in history It has promoted the development and prosperity of the Chinese nation's pluralistic music culture,and it has positive reference and enlightenment for the cultural music culture and cultural exchange and the construction of the national music culture spirit.