Textual Research On The Origin And Origin Of "Eighteen Descriptions" Painting Spectrum

Since Zou Dezhong in the Ming Dynasty put forward "the description of the ancient and the modern is 118",through the supplement of the description of the interpretation by various schools in the Ming and Qing Dynasties and the evolution and evolution of the interpretation and schema after it was introduced into Japan,a kind of painting spectrum with the "18 descriptions" as the core content has been formed.Such painting spectrum can be called "18 descriptions" painting spectrum.In this paper,the inheritance and development of this kind of painting in China is regarded as the "source",and the evolution and evolution of this kind of painting after its introduction into Japan is regarded as the "flow".This paper focuses on the spread process from "source" to "flow" and the return process from "flow" to "source",and studies the vertical and horizontal development of "source" and "flow" of this kind of painting from the perspective of history.On the basis of a comprehensive review of the extant Chinese and Japanese ancient books of "Eighteen descriptions",this paper makes a textual research on the origin and flow of these paintings.The purpose of this paper is to reveal the evolution and evolution of the description interpretation and schema in the process of the spread of this kind of painting,to elucidate the inheritability and the spread of the "Eighteen descriptions" of painting in China,and to put forward the value and Enlightenment of its spread process for today's Art creation.This paper is divided into six parts: the first chapter is the introduction part,which explains the research background,purpose and significance of the subject,and summarizes the research status and research results at home and abroad;the second chapter is the origin of the "Eighteen descriptions" type of painting,with the re examination of "painting matters refers to Mongolia" as the main content;the third chapter takes the inheritance and development of such painting as the main clue,combing and textual research In the fourth chapter,after the introduction of this kind of painting manual into Japan,the Japanese people's painting Manual of description method is taken as the main research object to reveal the evolution and evolution of this kind of painting manual in the process of communication;in the fifth chapter,the comparison and research between two kinds of painting manual written by Japanese people and Wang yingben's painting manual;in the sixth chapter,the influence,value and Enlightenment of this kind of painting manual in the process of communication.The innovation of this paper lies in: first,combing out the Chinese and Japanese ancient books of "Eighteen descriptions" in an all-round way;second,taking the ancient books of "Eighteen descriptions" as the historical evidence,making textual research andResearch on the description,interpretation and schema;third,constructing the spread process of "Eighteen descriptions" in China in an all-round way,and revealing its external and internal influence in the spread And in the process of communication for the current art creation.The external influence is: the method of tracing the pleats contained in this kind of painting has a direct impact on the method of tracing the pleats in Japanese ukiyo and ukiyo-grass in Edo era;the internal influence is: this kind of painting has an indirect impact on the three kinds of "Eighteen tracing" paintings in the period of the Republic of China after it was introduced into Japan through the sea trade between China and Japan Nagasaki,and after its evolution and evolution,it has an indirect impact on the three kinds of "Eighteen tracing" paintings in the period of the Republic of China;the inspiration for today's art creation is as follows: We should combine tradition with assimilation,subversion and breakthrough with national value.