A Study Of Painting Poetry And Ci In The Song Dynasty

Painting poems are the unique manifestation of ancient Chinese poetry.Painting poems are the most important symbol of the national style in ancient Chinese painting.Chinese painting poems have a long history and originate from chanting poems.Their origin is not later than the Warring States Period and Quyuan Period.The Han and Wei Dynasties succeeded.The Tang Dynasty entered the literati's field of vision and became popular in the Song Dynasty,reaching the peak of the development of painting poems.This paper takes Song Dynasty painting poems as the main research object,from "Song Poems","Complement of Song Poems" and "Song Ci Poems".? In the Supplement of Song Ci,I have collected 3619 painting poems in the Northern and Southern Song Dynasties,including 1468 painting poems in the Northern Song Dynasty and 2151 painting poems in the Southern Song Dynasty.There are 139 painting poems in the two Song Dynasties,including 24 painting poems in the Northern Song Dynasty and 115 painting poems in the Southern Song Dynasty.This paper makes a quantitative study of the painting poems and lyrics in the Song Dynasty from the aspects of the total number and the number of sub-themes.On this basis,it combines the development of the literature and painting history of the Song Dynasty,draws lessons from the theory of ancient Chinese poetry creation and painting theory,and carries out a multi-angle analysis on the classification of the theme and aesthetic connotation of the painting poems and lyrics.This paper studies the inheritance and status of painting poems in the Song Dynasty.This paper takes painting poems in the Song Dynasty as the main research object,and also discusses painting poems in the Song Dynasty.Poetry and painting,poetry and painting,text and theory,general and case studies,a comprehensive and systematic study of painting poems in the Song Dynasty.The full text is composed of a general discussion and a discussion.The introduction consists of four chapters.The introduction part: combing the research status of painting poems in the Song Dynasty at home and abroad,there is a great space for the study of painting poems in the Song Dynasty.The first dimension is the relationship between poetry and painting,and the second dimension is the inheritance relationship of the poetry text itself.This paper holds that the poems originated from the poems of chanting things and lasted for the middle and late Warring States Period.Chapter 1,Social Environment of Northern Song Dynasty and the Development of Painting Poetry and Ci in Northern Song Dynasty,mainly discusses the influence of social environment on the development of Painting Poetry from four aspects: imperial examination system,the court style of literati's elegant collection,and the law of ancestors.Chapter ? "Research on Painting Poetry and Ci in Northern Song Dynasty from the Perspective of Elegance and Popularity".On the basis of quantitative analysis of 1468 poems and 24 poems in Northern Song Dynasty,this chapter examines the number and time distribution of writers' works.From the number and scope of painting poems,it is concluded that the development of painting poems in Northern Song Dynasty went through Mei Yaochen and Su Shi,and from the paintings being chanted.Quantitative analysis shows that the poetry inscribed on paintings in the Northern Song Dynasty is composed of painters from civilians to scholar-bureaucrats,from folk to palace academies,and also includes Buddhist disciples,Taoist priests,etc.It's all about identity.According to the quantitative analysis and the development history of painting in the Northern Song Dynasty,the painting poems in the Northern Song Dynasty are divided into four categories according to the subject matter: objects,mountains and rivers,flowers and birds,animals and animals,and textual analysis is carried out.It is concluded that "elegance" rather than "seclusion" is the characteristic of the landscape painting poems in the Northern Song Dynasty.The study of the inscriptions on paintings in the Northern Song Dynasty mainly focuses on the elegance of the inscriptions and the analysis of the elegance of the literary style of the inscriptions.On this basis,the aesthetic connotation of the painting poems in the Northern Song Dynasty is concluded: on the macro level,the painting objects of the painting poems in the Northern Song Dynasty are elegant,the style reflects the characteristics of "being calm and happy" and the aesthetic pursuit of "the purpose beyond the image".Chapter three,"The combination of elegance and vulgarity-the study of painting poems and lyrics in Southern Song Dynasty",based on the quantitative analysis of 2151 painting poems and 115 painting poems in Southern Song Dynasty,explores painting poems and lyrics in Southern Song Dynasty according to the four categories of characters,landscapes,flowers and birds,animals and animals.From the perspectives of social politics and life,elegance and vulgarity,we can see the aesthetic connotation of the combination of elegance and vulgarity in Southern Song Dynasty's paintings and poems: the combination of elegance and vulgarity in poetry and poetry-style;the combination of official and hermit-ideological elegance and vulgarity;the combination of elegance and vulgarity in content,which needs to be combined with advertisement.Chapter ?,"The Inheritance and Status of Painting Poems and Ci Poems in the Song Dynasty".This paper mainly analyses the inheritance of painting poems in the Song Dynasty from themes,writing groups and aesthetics,the inheritance of painting poems in the Song Dynasty from two aspects of "stand" and "difference",and the inheritance of painting poems and painting poems in the Song Dynasty from two aspects of identity and difference.This paper discusses the status of painting poems and lyrics in the literary history of the Song Dynasty and painting poems and lyrics in the painting history of the Song Dynasty;the aesthetic connotation of "nature" rather than "nature" in painting poems of the Song Dynasty and the combination of elegance and vulgarity has far-reaching influence on later generations in the painting history by putting forward and practicing the theory of painting creation to later generations,especially on the literary works.People's painting has a far-reaching impact,and ultimately contributes to the formation of a unique aesthetic form of Chinese painting.In the last part,the author analyses the necessity of studying the poems on paintings in the Song Dynasty under the controversial situation of "establishing" and "abolishing" the poems on paintings.