Research On The Aesthetic Paradigm Of Contemporary Chinese Literary Theory

There are three dominant theoretical paradigms of social politics,aesthetics and cultural studies in Chinese contemporary literary theory research in the 20th century,which together constitute the ideological foundation and the basic mode of knowledge narration of Chinese contemporary literary theory knowledge production.The independent existence,interconnection or theoretical transformation of the three paradigms reflects the overall theoretical landscape of the development of Chinese contemporary literary theory,reflecting the overall style of Chinese cultural development and social change.Whether it is from the completeness of theory,the rigor of logic,the breadth of influenceand the enthusiastic attitude of researchers to theory,the aesthetic paradigm of Chinese contemporary literature has a prominent position and has outstanding advantages.Therefore,it is also a hot topic and key domain of the retrospection and reflection of current literary theory research.Since the new period,a large number of scholars have carried out research and exploration on literary aesthetics or literary aesthetics,and have achieved fruitful results and achievements.However,from the perspective of paradigm research,the results of ontological research and systematic interpretation of the aesthetic paradigm of Chinese contemporary literary theory are relatively thin and backward.This paper selects the "Chinese contemporary literary theory aesthetic paradigm" as the research object,and attempts to analyze the theoretical connotation,cultural background,concept composition and thinking mode of this literary theory paradigm from ontology research.The article believes that the aesthetic paradigm of Chinese contemporary literary theory is a literary research model and a discourse model,which is mainly developed in the early 1980s,matured in the mid-to-late 1980s,and replaced by a cultural research institute in the 1990s with the establishment of consumer society and the rise of popular culture.It advocates interpreting literary activities from the perspective of literary aesthetics and constructing a literary theoretical knowledge system.It highlights the deep connection and internal connection between literary activities and beauty and aesthetics,and limits the narration of literary theory to the specific interpretation and theoretical explanation of literary aesthetic characteristics.The aesthetic paradigm affirms that the essence of literary art is aesthetics,and aesthetics is an important feature and key factor that distinguishes literary art from other human spiritual products..The aesthetic characteristics of literature are mainly reflected in the emotional characteristics,linguistic characteristics,formal structure and symbol creation of literature itself.Among them,the emotionality of literature is the main feature of the aesthetic paradigm.It is thought that literature is the expression of emotion,and that emotion is the fundamental attribute of literature and art.The aesthetic evaluation of literature and art is the evaluation of emotion.The aesthetic paradigm of Chinese contemporary literature is a literary theory paradigm of the main sentiment.Based on the combing of the literature and the thinking of the theory,the article specifically carried out the following aspects:The first chapter mainly explains the theoretical connotation of the aesthetic paradigm of Chinese contemporary literary theory.It mainly combs and interprets the concepts of "paradigm","literary theory paradigm" and "literary theory aesthetic paradigm".The "paradigm" is "all the provisions common to a scientific collective" and is the sum of the theoretical beliefs,recognized value norms and fixed technical routes shared by specific collective members.It is a kind of self-evident "spiritual landscape"type that people generally agree with in a certain period of time.It is a deep presupposition that people do not consciously carry out certain thoughts and theoretical activities.It defines the depth,breadth and extent of people's activities and is the theoretical model produced by a particular discourse system.The meaning of the sub-level of "paradigm" refers to the "example",which is the specific example of the specific puzzles and answers that the scientific community deals with in scientific research.The aesthetic paradigm is the principle of universal aesthetic value that is consistently followed as a whole as a whole in a certain period of time.Under certain aesthetic paradigms,members of the community will repeatedly follow the same aesthetic value orientation and repeatedly use the same aesthetic concepts.People's aesthetic concepts and aesthetic expressions are under the control of certain self-evident presuppositions and preconditions.Completed.The second chapter analyzes the historical context of the aesthetic paradigm of Chinese contemporary literary theory.The rise of the aesthetic paradigm of Chinese contemporary literary theory is based on the social and political paradigm of literary theory."Respecting the literary name" re-examines the relationship between literature and politics,determines the independent status of literature,and provides a theoretical premise for the establishment of the aesthetic paradigm;humanitarian discussion makes the subjectivity of human beings stretched,and the emotionality of literature is highlighted.It provides a philosophical foundation for the establishment of the aesthetic paradigm;and the "aesthetic fever" of the 1980s provided intellectual support and academic reference for the establishment of the aesthetic paradigm,both in thought and in method.The third chapter summarizes the conceptual composition of the aesthetic paradigm of Chinese contemporary literary theory.There are three main literary concepts in the aesthetic paradigm of Chinese contemporary literary theory,namely,the literary concept of ideology,the literary concept of linguistic formalism and the literary concept of inner transcendence.The literary concept of ideology includes literary"aesthetic reflection theory" and "aesthetic ideology theory".It is the Chinese contemporary literary theory researcher who summarizes the positive and negative experiences of Chinese modern literary theory process under the premise of adhering to the basic theory of Marxism,according to the development of literature and art.The actual theoretical innovation is the dominant form of the aesthetic paradigm of Chinese contemporary literary theory.The literary concept of linguistic formalism is influenced by the formalism,"new criticism" and structuralism formed by the Western "Language Theory".It focuses on the linguistic structure,formal features and symbolic creation of literature.It can be divided into language ontology.Literary aesthetics,literary aesthetics of formal ontology and literary aesthetics of symbolic ontology.The literary aesthetics of the inner transcendence theory is a kind of literary aesthetics proposed on the basis of Marxist practical philosophy and absorbing the research results of Western existential philosophy and life philosophy.It focuses on the value and role of literature in transcending real life,building an ideal kingdom,realizing individual freedom,and embodying ultimate care.Beyond the essay,the aesthetics pays more attention to the value and significance of literature in the human spirit.It is a further development of the literary aesthetic concept.It also objectively separates the literary aesthetic from the real life.The literary aesthetic gradually goes to the extreme.It has become the main breakthrough for emerging cultural studies to attack literary aesthetics.The fourth chapter analyzes the way of thinking about the aesthetic paradigm of Chinese contemporary literature theory.The article believes that the "literary aesthetic characteristics" pioneered by the literary "aesthetic" represented by Mr.Tong Qingbing is a typical example of the aesthetic paradigm of Chinese contemporary literary theory.It provides specific analysis methods and operation cases for the aesthetic construction of Chinese local literary theory and the aesthetic interpretation of literary works with the completeness of its theory,the validity of its interpretation,the practicality of its operation and the extensiveness of its dissemination.Specifically,the "literature aesthetic characteristics theory" puts the literary aesthetics in the process of human life activities,and considers aesthetics as a kind of spiritual activity unique to human beings.It is a unique way for human beings to master the world.Literary aesthetics runs through human activities.Always.Aesthetics is essentially a kind of "formatted tower quality" generated by the mutual integration of various parts of literature.On the basis of this theoretical understanding,the "literary aesthetic characteristics theory"systematically analyzes the aesthetic deconstruction of literary works and the aesthetic process of literary acceptance.The aesthetic ideology,linguistic formalism and inner transcendence in the literary conception are unified in the "theory of aesthetic characteristics of literary activities".The conclusion mainly reflects on the theoretical limitations of the aesthetic paradigm of Chinese contemporary literary theory,and hopes to find a theoretical discourse model of Chinese contemporary literary theory with aesthetic interpretation as the core in the exploration of the relationship between the pluralistic construction of literary theory aesthetic paradigm and the construction of Chinese contemporary literary theory.Ideas.That is to say,under the premise of adhering to the basic principles of aesthetic interpretation,it not only adheres to the speculative nature of literary theory,but also develops the validity of literary literary criticism;it not only adheres to the knowledge teaching of literary theory,but also develops the value creativity of literary aesthetics.