Study On "Language Turn" From Traditional Literati Ink In Chinese Painting To Modern Ink Painting

Chinese ink painting has its own cultural character and spiritual quality.From Traditional ink painting to Contemporary ink painting has a clear inheritance and logic relationship.It can be said that the form history of Chinese ink painting is the history of Chinese ink painting language.Since the development of traditional ink painting,it has its own relatively complete morphological language structure system.This language system has formed the particularity and regionality of Oriental art in the large art and cultural circle.From the current domestic cultural ecology point of view,the use of ink painting language as an artistic expression of Chinese unique humanistic spirit symbols and artistic expressions has a profound traditional cultural background and contemporary academic attention.As the representation of objects,the ink language has also evolved with the changes of social economy and times,but this evolution has occurred within the cultural scope of Eastern China and is facing the international cultural stage.From the point of view of development,any artistic language can not be turned without its own cultural ontology,which is born and evolved in the nourishing of humanistic traditions.With the social transformation of the modern ink language,the modern transformation of its artistic spirit is closely related to the cultural context.This will only make sense if we discuss its development in our own cultural groups.Therefore,the research of ink language from their own humanistic traditions and cultural mother to demonstrate is the basic foothold of the study.After the 1980 s,the demand for the reform of ink painting has become more and more loud.It has attracted the attention of the art world and academia.At the same time,the background of art internationalization has also provided a broad cultural perspective and expression space for the development of Chinese ink painting.With the influence of the "Eighth Five-Year New Wave" in China,the Chinese art world has undergone a huge transformation of ink and ink language forms and the evolution of aesthetic images facing modern vision.Modern ink and experimental ink are the artistic expression and cultural carrier produced in the contemporary cultural context.The image and ink flavor in modern Chinese ink painting are moving away from the traditional language form and making modern interpretations from the spiritual level.This is an important artistic feature of modern ink and experimental ink.This thesisaims to explore the knowledge of the modern transformation of ink culture and the change of internal ideas.Through the analysis of Chinese ink painting language and the corresponding expression of the times to grasp the traditional ink ink from the experimental ink painting language transformation.From the cultural background of the artistic spirit,the way of transformation,the construction of aesthetic idea and the modern turn of literati ink language,this paper expounds the morphological language of the development of modern ink painting.Specifically,it expounds the transformation of linguistic form brought about by the change of cultural background of context from four aspects: the linguistic form,aesthetic concept,artistic spirit,and time background of ink painting.From the wrong logic of the concept of Chinese painting,this paper analyzes the misunderstanding and development of Chinese painting,ancient painting,ink painting,ink painting,literary painting,new literary painting,urban ink painting,ink painting,modern ink painting,contemporary ink painting,experimental ink painting,abstract ink understanding and development.In a nutshell,this paper studies the cultural characteristics of ink language and the motivation of language form transformation,dissolves and discusses in detail the language form of modern ink and experimental ink,and the new problems that appear in the process of ink language transition.At the same time,this paper analyzes the cultural mission and development way of ink painting during the period of language transformation,in order to try to discuss the development future and cultural mission of national art under the larger cultural background.