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The Study Of Satoshi Kon Animation Under The Perspective Of Freud's Psychoanalysis

Posted on:2019-04-23Degree:DoctorType:Dissertation
Country:ChinaCandidate:K W LiFull Text:PDF
GTID:1365330620962637Subject:Design
Abstract/Summary:PDF Full Text Request
Satoshi Kon is one of the well-known Japanese anime directors in 20 th century.Kon's animation works since the published have achieve attention all the time.With illusion and reality as the main theme of his works,and filled with the contents of the human unconscious.With modern city as the background,depicting the role of a large number of personality alienation.On the basis of Japan's regional culture and religion,analyses the intrinsic nature of contemporary urbanite,revealed the Japanese social problems and the human spirit condition in modern society.Kon expose the danger when people indulge in the illusion world through to create the imagination anime world,and aimed at give modern people some enlightenment in a redemption explosion way.This article puts Satoshi Kon into the perspective of Freud's psychoanalytic theory,on the basis of in-depth reading of the works,applying the psychoanalytic theory also include the extension by Jacques Lacan.In depth analysis of the interoperability between Satoshi Kon's personal and animated characters' thinking,it's a unity of content and form based on its image,so as to grasp the characteristics of Satoshi Kon's animation as a whole.The theory of unconscious,dream theory,personality structure and psychological defense mechanism in Freud's psychoanalytic aesthetics can grasp the essence and causes of Satoshi Kon's animation to a certain extent.Practical significance of interpretation of Satoshi Kon's animation,to achieve further development of the animation in the text meaning.Thus,Freud's psychoanalytic theory has also become another angle of view of animated criticism.The first part teases out the concept of Frued's psychoanalysis,and the characteristics of Kon's animation,and summarizes the relationship between Kon's animations with Freud's psychoanalysis.Kon as the creation subject,his work must show the animation art has the generality and particularity of characteristic,in the particularity perspective that is kon context related to the growth of the individual,it mainly from the Japanese social and cultural and religious with context transverse analysis,from individual creation perspective,it is on the theory of Freud's personality structure that support,from the id,ego and superego level with the Kon's three social identities from childhood,cartoonists,to animation director to use longitudinal way analysis the influence of in the aspect of creation.Thirdly,analyses of kon animation art works are divided into two aspects,one is specific character and other is expression form.Starting from the characters,it mainly from the paradigm of trauma and split personality,depression and mental anxiety and the Libido,unscramble psychological paradigm of kon animation characters in the works.From expression forms,mainly in the four level forms the narrative structure,visual composition,specific editing to sound,combining with an instance of kon animation works to carry on the concrete analysis,summarized kon animation visual and auditory form of unconscious.The conclusion part stands in the audience mantel perspective to summarize which the characteristics and consider factors of Kon's animation from visual,production to animation's theme,it also conclude the realistic mending of Kon's animation and the development lighten to Chinese animation film.
Keywords/Search Tags:Satoshi Kon, Animation, Freud, Psychoanalysis
PDF Full Text Request
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