The Study Of The Landscape Paintings Of Roaming Immortals From The View Of The Thematics

There has been more studies on figure paintings on the theme of the Law of the Immortals in the history of fine arts for a long time,but less attention has been paid to landscape paintings whose main themes are fairy mountains,fairy lands,praying to immortals for blessing,seeking immortals,having a meeting and a conversation with immortals and so on.So the findings are scarce,through sorting out the landscape painting works of various dynasties in the domestic museums,it is found that landscape painting works with fairy mountains,fairylands,praying to immortals for blessing,seeking immortals,having a meeting and a conversation with immortals and so on.As the main theme,they take up a considerable proportion and become a notable cultural phenomenon in art history.Therefore,it is based on the characteristics of the motif,subject matter and theme of landscape paintings,it is named " the Landscape Painting of Roaming Immortals ",and the research is carried out from the perspective of "methodology and art history methods and theories".According to the "methodology and theories of art history",this paper starts to study the Landscape Painting of Roaming Immortals from its connotation of the concept,the cultural root,the motif and image,and the collection and arrangement of landscape painting works.The author also thinks that the relationship between the thought of the Roaming Immortals and its art of landscape painting;the types of the theme of the landscape painting of Roaming Immortals;the relationship among the theme of the landscape painting of Roaming Immortals,style,artistic conception,formal language and so on."the Painting of Fairy Hills and Pavilions " as an example to explore the reasons and changes of the landscape in the landscape painting of Roaming Immortals.Through the above research,this article attempts to sort out the process of the occurrence,development,prosperity and decline of the art of the landscape painting of Roaming Immortals in the history.The author further analyzes the interrelation on the changing theme and motif,image,subject matter,style,mood,form and language of the landscape painting of Roaming Immortals.It is used as a way of looking back at the development and evolution of the history of landscape painting.The exordium discusses the research status of Chinese art history and expounds the reasons for writing of this article from a macro perspective;It also discusses the research results which were related to the study and something else,such as :the research significance,ideas,methods and feasibility of the article.From the first chapter,firstly,it discusses the research status of landscape paintings on the theme of Chinese immortals from the perspective of the art of Chinese landscape paintings.At the same time,the landscape paintings of this theme are named "the landscape paintings of Roaming Immortals ",and the concept is made by basic standard,and then this paper discusses the reasons for the cultural roots of the occurrence and development of the landscape paintings of Roaming Immortals;then the writer collects and organizes the works of the landscape paintings ofRoaming Immortals which handed down from generation to generation,and sorts out the processes of their occurrence,development,rise and decline systematically.Finally,it discusses the motif and motif image of the landscape paintings of Roaming Immortals.The motif constitutes the basic unit of the landscape paintings of Roaming Immortals and it is the smallest image structure of the works.In Chinese literature and art,the motif image is not a copy of the object,but it is the blending of objective and subjective.Therefore,in the context of Chinese culture,the motif in the work is often referred to as the "motivation image",its Image and connotation can express by the motivation image.Multiple motif images form a motif image group,and the theme of the work shows its diversity and richness in different combinations of motif images.Therefore,to study the art of the landscape painting of Roaming Immortals,it is one of the main points of the article,from the perspective of thematics,the theme,the image of the theme and its relationship with the theme of the work.This chapter analyzes the composition of the images of the motifs of the landscape paintings of Roaming Immortals,and it also discusses the process of the motifs of the landscape paintings such as "pine","glossy ganoderma","sea" and "cloud".Through the discussion in this chapter,the purpose which has a clearer understanding of the basic connotation of the landscape paintings of Roaming Immortals is achieved.Chapter 2 on the theme of the landscape paintings of Roaming Immortals-the connotation of the thought of Roaming Immortals and its influence on the life style,thinking mode and artistic creation of Chinese landscape painters;from the perspective of the art work,it analyzes the expression of Roaming Immortals.Then,by sorting and categorizing the landscape paintings of Roaming Immortals which handed down from generation to generation,the theme of the landscape paintings of Roaming Immortals is divided into 3 types: the expectation of the ideal world and the home of the soul,the yearning for longevity,wealth and enjoying pleasure in good time,the pursuit of independent personality and spiritual freedom.It also discusses and analyzes the characteristics of the motif,the occurrence and evolution from the different types of landscape paintings of Roaming Immortals.The chapter 3 focuses on artistic style of subject matter,the theme of conception,formal language and other subjects of the landscape paintings of Roaming Immortals.The methods of thematic research and theories which involved in art history believe that the subject matter,style,artistic conception,and formal language of the work are also important to study.The article explores the narration of the theme and theme of the landscape paintings of Roaming Immortals,the relationship between the Roaming Immortals and the Taoism,and to compare with the theme of the landscape paintings of living in seclusion.The article believes that the thought of the theme of Roaming Immortals determines the romanticism of the landscape paintings of Roaming Immortals in general,but the diversity of themes makes the specific works show its richness in artistic style.The thematic methodology believes that the artistic conception is the presentation of the theme,but different artistic conception has a different artistic theme.The author thinks that the landscape paintings of Roaming Immortals can be divided into three types: the theme of mysterious fantasy artistic conception,the theme of profound metaphysical artistic conception,and the themeof unintentional artistic conception.From the perspective of thematics,the formal language of landscape paintings of Roaming Immortals,such as pen and ink,color,space,composition,and graphic processing,are closely related to the theme of Roaming Immortals.The formal language of the work often changes with the theme of Roaming Immortals,and the expression of the theme of Roaming Immortals is also restricted by the formal language.The latest formal language has become an important factor to change the theme.The chapter 4 pays attention to the study of the typical case,and discusses the reasons and rules of the theme of the landscape paintings of Roaming Immortals from part to whole.In the history of Chinese landscape painting,a number of themes and subjects have been expressed repeatedly by painters of all generations,it has become a notable phenomenon of culture."Mountains and Pavilions Where the Immortals Live" has become one of the themes of the landscape painters of all dynasties from the Tang Dynasty.Pavilions Where the Immortals Live Map " has been preserved or described in the literature through the ages.Therefore,it Is the main point to study this typical theme in the landscape paintings of Roaming Immortals,to explore the relationship between the evolution of the motif image and the change of the theme from this perspective,and to examine the development and vicissitudes of the history of landscape painting from the chapter 4.First of all,the chapter 1 sorts out the works of " "Mountains and Pavilions Where the Immortals Live " that handed down through the ages,and discusses the basic context of its occurrence,development,prosperity and decline.Then it analyzes the origin and connotation of the two motif images that "Fairy Hills" and "Pavilion" in "the Map of Mountains and Pavilions Where the Immortals Live ".Thirdly,from the perspective of the combination of "Fairy Hills" and the pavilion,the process of the theme "the Map of Mountains and Pavilions Where the Immortals Live " was discussed.Further,the evolution of the two main motif images that "Fairy Hills" and " Pavilion" in the works of "Fairy Mountains and Pavilions" in previous dynasties was sorted out.According to the study,the author discusses the relationship between the evolution of the motif of "Fairy Mountains Pavilions" and the change of the theme.It is believed that the evolution of the motif is not only the result of the change of the theme,but also promotes the change of the theme of the work in turn.The relationship between the theme and the motif constitutes plays an important context for the occurrence and development of the history of landscape painting.And the correlation not only provides an important clue for the appearance and development of the history of landscape paintings but also offers to build a knowledge system of art in a different way of thinking.